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Watson - (Jan 27th)
90 Day Pillow Talk Before the 90 Days - (Jan 27th)
Sister Wives - (Jan 27th)
Ice Road Rescue - (Jan 27th)
Very Scary People - (Jan 27th)
90 Day Fiance- Before the 90 Days - (Jan 27th)
Home Town - (Jan 27th)
Homestead Rescue - (Jan 27th)
Snapped - (Jan 27th)
The Sunday Show with Jonathan Capehart - (Jan 26th)
Match of the Day 2 - (Jan 26th)
Deadline- White House - (Jan 26th)
Love Island- All Stars - (Jan 26th)
GRAND SUMO Highlights - (Jan 26th)
Saturday Kitchen Best Bites - (Jan 26th)
Sunday Brunch - (Jan 26th)
22 Kids and Counting - (Jan 26th)
The Great Pottery Throw Down - (Jan 26th)
Mystery Music Show- King of Mask Singer - (Jan 26th)
Perfect Match - (Jan 26th)
Uncovering lost antiquities is one of those topics that fascinates most of us, especially when they’re documented as the discoveries are made. This is one of the goals behind the Netflix “Unknown” documentary film series in its chronicles of such events around the world. In the series’ latest installment, filmmaker Max Salomon follows the efforts of Egyptologist Zahi Hawass and his colleagues as they seek to find the lost pyramid of Pharoah Huni, a little-known monarch of Egypt’s Old Kingdom, in the necropolis of Saqqara. The structure, believed to be located in an area of the ancient city that hasn’t been excavated (and thus suspected of not having been looted by grave robbers), fills the archaeological team with tremendous enthusiasm as to what they’ll find. It’s also an undertaking largely being conducted by native Egyptian investigators, a departure from previous excavations, which have been almost exclusively conducted by Westerners, a venture that’s hoped will put these researchers on the map in their own right. And, with a scant nine-month digging window open to them, they need to work quickly before desert weather conditions make their efforts impossible until the following year. The film reveals some truly remarkable discoveries, too, some of the most significant finds in the history of Egyptology. However, despite the significance of these revelations, the picture also lays it on a little thick when it comes to what Hawass and company have found. The degree of self-aggrandizing self-congratulation truly becomes tiresome and repetitive, so much so that the unbridled boasting overshadows the most valuable aspects of the film. What’s more, even though some genuinely remarkable artifact discoveries emerge from the excavators’ work, digging on what’s believed to be Huni’s pyramid itself is left at a preliminary stage when the nine months come to an end, suggesting that continued efforts are needed during a subsequent digging season. This means that the chronicling of this venture, though laudable, could nevertheless be premature. In light of this, perhaps it might have been better to wait until the excavation is complete before releasing this offering, as waiting for later may have provided viewers with a fuller, more impressive, more definitive finished product. In short, this documentary feels more like a work in progress than a conclusive record, one that I would have rather watched when complete than in the preliminary stage in which it has been left.
At the beginning of the year 2020, a relentless plague sweeps the planet and, as a consequence, a global lockdown is gradually decreed: how did people from very different latitudes, living necessarily very different situations, experience this shared solitude? How did people adapt to the restriction by decree of their personal freedoms and the transformation of many bustling metropolises into ghost cities?
A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.
What if, before rushing headfront into technology progress, we think twice about it ? As our societies bet on technology outbids, some chose to invest on sobriety : the "low tech".
In 1968, art students Storm Thorgerson and Aubrey “Po” Powell made a trippy photo collage for their musician friends Syd, David and Roger. The resulting album and album cover, A Saucerful of Secrets, helped launch two careers: that of Pink Floyd, one of the 70s megabands, and of Hipgnosis, which, over the course of the next 25 years, designed a stream of iconic album covers.
Kuyashii Gonzo: Blood Visions and Chaos Magic is a Gonzo documentary about trying to make a no-budget feature film against the onset of the COVID-19 pandemic, unemployment, and death. To never give up, no matter how hard things get.
We’re back for round two! Much like “AKB48+1”, this documentary goes through the English alphabet talking about a different aspect of the group for each letter. While still featuring tons of behind the scenes footage, it focuses more on member relations and the events of the past year (2012). Again, this documentary is a brilliant look into the diversity of the AKB48 experience. There’s so much about this group to learn, and the two bonus “AKB48+1” and “AKB48+1+10” documentaries provide a detailed look in a fun way.
For nine months in 1930, seven Bretons, lobster fishermen, were "forgotten" on a volcanic island by their employers, Normans from Le Havre, heirs of the last French whalers. Four employees would die on the spot. Their descendants today revive the memory of this human tragedy which also struck 42 Madagascans. Starting from a sordid social conflict, the documentary shows that the “Forgotten Saint Paul” mark the end of an era of “colonization”, a term rarely used for the French Southern Territories, but nevertheless close to reality. This is the story of the Third World, as its discoverer, Yves de Kerguelen, named it.
It has been a lifelong dream of Kyrgyz director Melis Ubukeyev to create an elaborate film version of the Kyrgyz national epic 'Manas'. He spent years working with the National Academy of Sciences of Kyrgyzstan to gather material for this film project, which was ultimately to remain a dream. However, the director's efforts were not in vain: Not only did he make films in 1962 and 1988 about the highly respected Manasçı – folk singers who passed on the epic over countless generations in melodic speech –, but in 1995, on the occasion of the 1,000th anniversary of 'Manas', he also made a beguiling essay film that not only outlines the plot of the epic with the help of magnificent images and lavish costumes, but also gives a semi-documentary account of the history of the Kyrgyz people interwoven with the myth. Long inaccessible, the essay film has recently been restored by the film studio Kyrgyzfilm and uploaded to YouTube in 4K.
The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.