The Unanswered Question III : Musical Semantics

secret ~FIRST CLASS LIMITED LIVE~ is the fourth video released by Koda Kumi, and her first concert video.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Eusexua is a practice. Eusexua is a state of being. Eusexua is the pinnacle of human experience. A surreal exploration of human sexuality, vulnerability, and connection, where visual aesthetics, expressive choreography, and evocative symbolism create an immersive experience that invites reflection.

After an intense discussion and the breaking of a tradition that had long maintained its ties, four friends find themselves unexpectedly transported to the universe of films of the 60s, 70s and 80s. Now, immersed in classic scenarios, friends are forced to confront personal issues and understand the true meaning of friendship and the tradition that has been broken.

Billy, an aspiring artist and musician, grapples with the challenges of growing up, navigating heartbreak, anxiety, and a myriad of nightmares. His quest leads him on a surreal odyssey through his dreams, where he seeks to unravel the deeper significance of his many concerns.

Wonderwall Guy brings his guitar to a party to impress girls and just won’t leave. A group of the fed up partygoers band together to try and get him out of there, but something unexpected happens…

A Studio B Production – Co-produced by Citizen Film for the San Francisco Symphony

Calvin Lenox's 'The Door at the End of the Hall' follows a young musician through a dream of his in which he hears a mysterious song that seems to be coming from behind a locked door at the end of a hallway. Things start to fall into place when a strange voice begins to speak to him from behind the door.

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.

What is tradition? This is the question posed by yodeller and food researcher Meinrad Koch from Canton Appenzell. In search of an answer, he embarks on a journey.