Quotations From a Ruined City

A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."

YEARS OF PILGRIMAGE: Franz Liszt was a virtuoso pianist that took early nineteenth-century Europe by storm. He conquered the Parisian salons with passionate performances marked by excellent technique and handsome features that became the downfall of many women. But what was he truly after? The musical narrates the story of Liszt's early years, and his pilgrimage across Europe in an attempt to find a place where his soul could belong, focusing on the romance with the Countess Marie d'Agoult, and his greatest friend and rival, Chopin. FASHIONABLE EMPIRE: A revue that transforms the stage into the "Empire" where the pioneering fashionistas of our time gather. The stylish array of scenes will enchant the audience, at times with the cool atmosphere, and at times with the hot beats. While focusing on the sophisticated and metropolitan appeal of top star Yuzuka Rei this revue also shows off the unique, scintillating members of Flower Troupe through many groovy scenes.

"Minamata is the name of a fishing village in Japan," said the writer-director ("Peep Show," "Eva Peron," "Rusty Sat on a Hill One Dawn and Watched the Moon Go Down"), who wrote the piece with Mira-Lani Oglesby. "Chisso, a company that makes parts for plastic, dumped mercury waste into the water supply and the fishermen got sick. A high percentage of the villages depended on fish and fishing so their livelihoods dried up too. "The story of Minamata is just the departure point for the play," the writer said. "It's the ghost behind the play, the shadow over it. The piece is a meditation on beliefs, ways of thinking, how operatives in the system create a way of thinking that makes it possible to destroy life in order to improve it. There's a thesis that in order to progress you have to allow for destruction. No. You cannot buy into that way of thinking, because it's erroneous and hurtful."

What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.

When her husband, an aspiring poet, gets his theatrical script rejected, Agnes Holck decides to take matters into her own hands. With the script in hand, she seeks out theatre director Viggo Reyner who takes an interest – not in the play, but in Agnes herself! However, his former favourite actress Lily Werner, doesn’t like being ignored. While the director is working on the seduction of Agnes, she cooks up some sinister revenge plans with fatal consequences. (Stumfilm.dk)

This National Theatre Production was filmed for the National Theatre Archive in November 2022. ‘To be or not to be…’ Hamlet’s dad is dead. His uncle has taken over the kingdom and married Hamlet’s mum. The whole world feels like it’s turned upside down. A ghostly encounter reveals a dreadful deed has been done. Should Hamlet take revenge? ‘That is the question.’ Join us for this energetic and engaging retelling of Shakespeare’s most well-known tragedy.

A rustic comedy about a small-town bowling alley entrepreneur who learns that being scammed is not the end of the world.

Mathan, 19, arrives in Paris with Jacques, a famous gay writer in his 50s. Then arises the sexy Olivier, flamboyant thirty, friend of Jacques. How will Mathan get out of the clutches of this "old" couple? Desires, doubts, seduction and jealousy, the ingredients of a tender and insolent comedy on the shock of generations and the question of the couple over time.

A theater actor who is taking a part as Macbeth finds himself lost in the role.

The story of Nina, a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her retired ballerina mother Erica who zealously supports her daughter's professional ambition. When artistic director Thomas Leroy decides to replace prima ballerina Beth MacIntyre for the opening production of their new season, Swan Lake, Nina is his first choice.

Lillian Hall, a Broadway actress, has never missed a performance throughout her long, illustrious career. Yet in the rehearsals her confidence is challenged. People and events conspire to take away her ability to do what she loves most.