首領の道2

A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.

Kei Kikuno attends a vocational school as a student. For her part-time job, she works as a contract killer. She is excellent at her job and never gets scared by anyone. One day, she receives the most challenging request.

The second film in the "Inu" series.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

A mysterious giant organization attacks an ordinary junior high school student... Who is the boy who is being chased? Why did the Assassin "Moo" save the boy? Can these two escape?

Takei Goro leaves the gang to quit the yakuza world, but the gang won't allow it and relentlessly pursues Takei. This is Watari Tetsuya's first film to star in Shochiku.

Narumi has decided to retire from the underworld society with which he has been involved for 20 years. He also informs his colleague and attends his final smuggled handgun deal. Suddenly, shows up and the client is shot to death accidentally. That client was an undercover police investigator, so Narumi is now facing a predicament.

A young man named Tatsumi Karasawa suddenly rises in the criminal world of Shinjuku, Tokyo, and becomes the leader of a group of amateurs who show no reluctance to face police and gangs alike. His successes in the Tokyo underground make a chief and a yakuza boss plot a conspiracy to eliminate him.

Ryotatsu, the wayward Priest blinded by Shinkai, the Wicked Priest, has his own story in this ultra-violent tale from the era of the Meiji Reconstruction. When a woman leaves her blind son at the Monastery, Ryotatsu is forced to teach the boy how to cope as a blind person in old Japan. When he takes the child with him on the road to find the boy's mother, they run afoul of not only yakuza gangsters, but some corrupt army officers have been trying to sway public opinion against the Satsuma rebels by posing as members of Saigo Takamori's group. It's a bloody mistake for them to underestimate the strength of the Blind Priest, and he'll make them pay with their lives!

Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.