El último llamado de María

Switzerland 1523. The mercenary Hansli Gyr returns with his soldiers from Italy to his home in the Oberland. They have fought for the Pope and now find a religious upheaval in Switzerland.

Steph, a sixteen year old altar server, dutifully puts away the collection money after mass. But when a fellow altar server tries to pocket some of the money, Steph attempts to stop her. What starts as an innocent attempt to prevent thievery looks an awful lot like something else to the priest who interrupts them...Suddenly Steph is followed by symbols of the Virgin Mary, a warning around her sexual desires. Steph must navigate the intimidation of her fellow altar server, a crush on her movie theater coworker, and her own feelings around the comfort of her queer identity.

The Late, Great Planet Earth is the title of a best-selling 1970 book co-authored by Hal Lindsey and Carole C. Carlson, and first published by Zondervan. The book was adapted in 1979 into a movie. The Late, Great Planet Earth is a treatment of literalist, premillennial, dispensational eschatology. As such, it compared end-time prophecies in the Bible with then-current events in an attempt to broadly predict future scenarios leading to the rapture of believers before the tribulation and Second Coming of Christ to establish his thousand-year (i.e. millennial) Kingdom on Earth.

In the midst of a marital crisis, a High Court judge must decide if she should order a life-saving blood transfusion for a teen with cancer despite his family's refusal to accept medical treatment for religious reasons.

Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!

When two friends open a Halloween fun house on Devil's Night it is all fun and games until their former sorority sisters begin to arrive. These six sisters are confronted by their past as the night spins out of control.

Owen and Isabel's love story simmers with spiteful rage and unfortunately for everyone, Isabel is pregnant with Owen's child. To prove to her that he can become a stable father, Owen agrees to reconnect with his only living relatives at Isabel's request. The couple take a trip to visit his perversely devoted grandmother and his sister Pearl, who was severely burned in a fire, to finally bury the hatchet. But sometimes the ties that bind can cut off all circulation.

In the sixties, love stories portrayed women as sentimentalists or sacrificial lambs. Later on, directors like Chu Yuan replaced these themes of sacrifice with abandonment. The Forbidden Past is a heart tugging, rare Chinese Christmas story about a bar girl (Ching Li) serving drinks to a man that looks like her husband from five years ago. She convinces him to fulfill her son's wishes of having the father he's never seen, show up for Christmas.

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.