War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Welcome To Gunlock Star in the Dust is directed by Charles Haas and adapted to screenplay by Oscar Brodney from the novel "Law Man" written by Lee Leighton. It stars John Agar, Mamie Van Doren, Coleen Gray, Richard Boone, Leif Erickson, Harry Morgan, Randy Stuart and James Gleason. Music is by Frank Skinner (Joseph Gershenson supervising) and Technicolor cinematography is by John L. Russell Jr. We are in the town of Gunlock and Sheriff Bill Jorden (Agar) is set to hang hired killer Sam Hall (Boone) at sunset. Only he finds himself in the middle of the Ranchers and Farmers because one lot want to help Hall escape, and the other want to lynch him post haste. With the exception of his two trusty deputies, Sheriff Jorden - already having to carry around the weight of not being as good as his dad was at the job - can't trust anyone and has it all to do to ensure things are done legal like. It begins with a shot of a Sheriff's badge in the dust, and sure enough from that moment on the feeling of watching a poor High Noon/Rio Bravo knock off is hard to shake. Pic is erring towards psychological smarts with a half decent screenplay put forward by Brodney, and the cast can't be called for being poor since most are good enough when given enough screen time to work with. Though it has to be said that Agar is just a touch too wooden, overplaying his weary lawman act and it grows tiresome entering the last third of film. Pacing is deadly slow, and as a number of characters are introduced along the way, there's barely any action to cling onto as a point of dramatic worth. There's a decent fist fight on show, and a wickedly enjoyable girl scrap, which even involves any weapons that are handy! A brilliant piece of stunt work in the finale is to be highly applauded, but other than that we are sort of plodding through to the end. Biggest crime comes in under using Boone as the villain, he's on in it for short moments at a time, and he's hardly given a biting script to spout. The guitar based musical score is quite dreadful and irritatingly it's practically non stop when the story moves out of the jailhouse. I understand why the usually reliable Skinner was going for sombre tones in the play, but it's a dirge, and when the narrative perks up a notch, the guitar shifts into something that sounds like it belongs in animation Batman instead of a psychological Western. Bonus is the colour photography, lovely lenses from Russell and the TCM print is gorgeous. But again there's an irk, for the story rarely ventures out of the town so we are denied and sparkling Technicolor landscapes. It does have fans, and it really isn't a bad Western as such, it's just not a good one either. It goes through the motions and wastes a good cast and potential for character dynamism. 5/10 Footnote: Clint Eastwood is in the mix for a walk on part, keep a look out for him.
After an awfully slow opening 30 minutes, 'Star in the Dust' does eventually turn into a decent western flick from 1956. I really didn't enjoy that beginning chunk, which is severely meandering as it's filled with set-up and uninteresting characters. Thankfully things gradually improve, how much I'm not fully sure, to lead into an eventful, at least, finale. I don't have much to note with the cast. John Agar stands out as you'd expect, while future Disney mainstay Harry Morgan is also involved. Clint Eastwood has a minor showing, a few words but nothing more.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
Steve Kinney and his henchman, Mort, are trying to stir up trouble between the local ranchers and farmers, behind a wave of rustling and lawlessness. Mort kills Vic, a Kirby cowhand, and lays the blame on Dan Harper, the leader of the farmers faction. Storekeeper Fuzzy Q. Jones, fearful of losing the outstanding charge-accounts he has on his books, drags his reluctant pal, Billy Carson, into the fray, and the two soon prove Kinney and his henchmen to be behind the valley's troubles.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
A gunfighter with a reputation as a fast gun almost kills an innocent child. He makes up his mind that he is not going to carry around loaded weapons anymore, but when he's asked to become sheriff of a lawless town, he compromises by carrying an unloaded pistol and relying on his reputation to keep order.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
With thousands of cattle being rustled from White Sage ranch the 1930's Texas Rangers are called in. They manage to get one of their agents into the gang by making them think he is the Pecos Kid on the lam.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
Bob arrives looking for the killer of his uncle. When the Sheriff chases him and his partner Rusty, Reno thinks they are the men he is looking for and takes them into his gang. There Bob finds his uncle's gun and knows he has found the right gang. However he realizes the gang has an unknown leader and he sets out to find him.
A peace-loving, part-time sheriff in the small town of Firecreek must take a stand when a gang of vicious outlaws takes over his town.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
Stan Borden with the help of the stooge Sheriff is out to get the Toreno ranch. Kicking the peons off the ranch, they kill Miguel's father. Miguel then becomes the masked El Lobo and when Jim Lawrence arrives, the two team up to fight Borden and the Sheriff.