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Welcome To Gunlock Star in the Dust is directed by Charles Haas and adapted to screenplay by Oscar Brodney from the novel "Law Man" written by Lee Leighton. It stars John Agar, Mamie Van Doren, Coleen Gray, Richard Boone, Leif Erickson, Harry Morgan, Randy Stuart and James Gleason. Music is by Frank Skinner (Joseph Gershenson supervising) and Technicolor cinematography is by John L. Russell Jr. We are in the town of Gunlock and Sheriff Bill Jorden (Agar) is set to hang hired killer Sam Hall (Boone) at sunset. Only he finds himself in the middle of the Ranchers and Farmers because one lot want to help Hall escape, and the other want to lynch him post haste. With the exception of his two trusty deputies, Sheriff Jorden - already having to carry around the weight of not being as good as his dad was at the job - can't trust anyone and has it all to do to ensure things are done legal like. It begins with a shot of a Sheriff's badge in the dust, and sure enough from that moment on the feeling of watching a poor High Noon/Rio Bravo knock off is hard to shake. Pic is erring towards psychological smarts with a half decent screenplay put forward by Brodney, and the cast can't be called for being poor since most are good enough when given enough screen time to work with. Though it has to be said that Agar is just a touch too wooden, overplaying his weary lawman act and it grows tiresome entering the last third of film. Pacing is deadly slow, and as a number of characters are introduced along the way, there's barely any action to cling onto as a point of dramatic worth. There's a decent fist fight on show, and a wickedly enjoyable girl scrap, which even involves any weapons that are handy! A brilliant piece of stunt work in the finale is to be highly applauded, but other than that we are sort of plodding through to the end. Biggest crime comes in under using Boone as the villain, he's on in it for short moments at a time, and he's hardly given a biting script to spout. The guitar based musical score is quite dreadful and irritatingly it's practically non stop when the story moves out of the jailhouse. I understand why the usually reliable Skinner was going for sombre tones in the play, but it's a dirge, and when the narrative perks up a notch, the guitar shifts into something that sounds like it belongs in animation Batman instead of a psychological Western. Bonus is the colour photography, lovely lenses from Russell and the TCM print is gorgeous. But again there's an irk, for the story rarely ventures out of the town so we are denied and sparkling Technicolor landscapes. It does have fans, and it really isn't a bad Western as such, it's just not a good one either. It goes through the motions and wastes a good cast and potential for character dynamism. 5/10 Footnote: Clint Eastwood is in the mix for a walk on part, keep a look out for him.
After an awfully slow opening 30 minutes, 'Star in the Dust' does eventually turn into a decent western flick from 1956. I really didn't enjoy that beginning chunk, which is severely meandering as it's filled with set-up and uninteresting characters. Thankfully things gradually improve, how much I'm not fully sure, to lead into an eventful, at least, finale. I don't have much to note with the cast. John Agar stands out as you'd expect, while future Disney mainstay Harry Morgan is also involved. Clint Eastwood has a minor showing, a few words but nothing more.
Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl Rio's place after Billy is shot.
Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.
Former Texas Ranger Wade Patterson (Starrett) returns to his home town, only to find that the territory is in the grip of cattle rustlers. For a while, it looks as though heroine Linda Holden (Meredith) is in cahoots with the bad guys, but Patterson quickly clears her name and takes on the crooks himself.
Shortly after Moody Pierson saves Sheriff Tim's life, Moody is arrested for murder. Tim doesn't believe he did it and lets him get away. Kicked out as Sheriff, Tim goes after the real kiler and this leads him to the town controlled by Red Slavins.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Two brothers who hate themselves are going to spend Christmas with their mother. She tries to get them together.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
The conflict between a railroader and a stage line owner is being aggravated by bad guys who are sabotaging both sides. Roy and Gabby mediate the conflict and expose the bad guys.
U.S. Marshal Wild Bill Hickok arrives in Goldfield to arrest Tex Martin, who has been accused of murdering the sheriff. "Hawk" Hammond, the man behind the sheriff's killing, sends his legions of henchmen to lynch Tex before the trail. Wild Bill and Tex escape to a stagecoach rest station run by Reba Bailey. There is a showdown battle at Hammond's saloon but not before Tex gets to sing two songs followed by a third one after the battle.
A sheriff and his posse set out to catch a murderer, but their mission proves more dangerous than anyone suspected after they become stranded in the desert and attacked by Apaches.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.