Arruza

A showcase of bullfighting in Portugal, explaining how the country's version of the sport differs from those in Spain and Latin America and helps define the national character. After showing the training techniques for the bulls and horses, a bullfight is presented.

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.

After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.

Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.

This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.

A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.

This short film "Torerillos 61" is one of the first works of the master Patino, which tries to portray the Spanish society of the time outside the state convention and dodging the hand of censorship. Social commitment is the brand director throughout his long career, starting with short films such as this one, made in the early sixties, in the wake of the statements in Talks Salamanca. The sadness off the characters portrayed is bleak, "Maletillas" (aspiring bullfighters) in search of luck to pull them out of poverty.

Jackie Brutsche tries to unravel the dark secrets of her family and answer unanswered questions about her mother.

In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.

In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?

Pollet and Schlöndorff imagine the Mediterranean as a supernal arena.