The Glass Canvas

Set in the late 1950s, in a retro futuristic world, widowed father Richard arrives home from work to find his house in chaos. His son Thomas scares off their caretaker, Julie and steals her necklace. Richard prepares dinner, however Thomas is dissatisfied with the meal, broccoli soup, arguing his mom would have made it better. Richard snaps at Thomas, who leaves his soup on the table and retreats to his bedroom. Richard is left alone, defeated, takes a seat on the couch and sees a commercial for Rob.B, a personal caretaker robot. The next day, Rob.B shows up to take care of Thomas, but after a puzzle piece goes missing, Rob.B tries to find it and ends up being electrocuted causing a malfunction. Julie returns to find her necklace and the now aggressive Rob.B chokes her unconscious. Richard and Thomas must learn to communicate and work together to defeat Rob.B.

In this parody of documentaries, host Martin Mull discusses the contributions that white people have made to the USA, visits the Institute of White Studies, and follows a typical white family as they go about their everyday lives.

Nothing brings a loving family together like a friendly board game over the holidays. This is not that story.

When a drug deal goes wrong, it catches the attention of both the law and the criminal world. What follows is utter mayhem that will link the fate of three gangs, an unscrupulous cop, a greedy monster, and a street-smart stringer.

Jati works out day and night to be like his idol, Joni Krakatau, a legend who stands atop the peak of success. When the more popular Abe stands in the way of his dream of becoming the best, Jati challenges him. As both men tear their muscle and dislocate their joints, they realize that success is not determined by who is the strongest, but who has the stronger determination to reach the top. With both men drenched in the pink goop of Joni Krakatau-branded protein shake, the whole gym goes into a frenzy in search of a true legend.

A short comedy film by Mike Mckee.

Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.

Rupert, the son of world-renowned artist Luther Milo, longs to create art of his own but is shackled by the need to care for his ailing father. Long-time friend and gallerist, Gab, suggests that the world has woken up to the fact it’s just two blobs on a canvas, and has simply become worthless. This prompts Rupert to consider all of his options – some less tasteful than others.

The antihero "Mr. Karl" tells a "young person", the viewer, his life story while he sits at work in the warehouse of a delicatessen. The narrator increasingly turns out to be an opportunistic follower from the petty-bourgeois milieu, who maneuvered his way through life in the changing course of Austrian history from the end of the First World War to the end of the occupation in the 1950s.

A horrific explosion creates a dimensional portal between Tromaville and its dimensional mirror image, Amortville. While the Toxie is trapped in the mirror dimension, Tromaville comes under the control of his evil doppelganger, the Noxious Offender.

So far he has earned his living as deputy editor-in-chief at the Grevenbroicher Tagblatt, but actually Horst Schlämmer had always guessed: he was destined for something bigger - too much bigger. Without further ado, he therefore quits his old job, founds his very own party and thus starts his rush to the chancellor's office. While the election machinery is quickly started and soon picks up speed, only two questions remain unanswered: Is Horst Schlämmer ready for Germany? And is Germany ready for him?