La saison pourpre

The film is devoted to the theme of careful attitude to the nature. It tells us how one of butterflies which are caught by the boy, grows till the huge sizes and the hunter appears in the net. Having tested bondage, the boy lets out the captives.

A young quirky girl finds her way in a crazy world.

Something is about to change drastically, and the only thing to do is to witness it.

A quiet stroll through the imaginary world of Iblard, originally depicted in the paintings by Naohisa Inoue, influenced by Impressionism and Surrealism.

Winter is here. To survive, Fuseline, the little ermine, forced by the lack of food, flees her wild environment and settles near an isolated farm and its chickens. Her arrival threatens the precarious existence of the man who lives there.

196X. Anna, an enigmatic and attractive professional kidnapper, abducts The Professor during his wedding ceremony on request from one of the latter's former girlfriend. This woman, whose face Anna has never seen, wishes to die with The Professor before he marries. Leaving the church with The Professor on the back seat of her motor-bike, Anna starts on the journey to the fictional city of 'Alpha Paris'.

Centers on a boy named Osamu who receives an umbrella as a gift from Sayu, but it goes missing. That umbrella transforms into a girl who goes gallivanting around town on a rainy day.

Two children keep order on a fantasy train and keep the passengers happy while a certain candy thief lurks in the shadows.

Two rival robotics companies in the future release their latest creations at a robotics convention, claiming each to be the latest and greatest in technological advances. Mega Stellar Company's release is a robot boy named Romie-O, while Super Solar Cybernetics has released a girl robot named Julie-8. Unforeseen to each of the company's creators, is how each of the advanced robots soon falls in love with the other.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.