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At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?
In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.
Based on a short story written by Shuhei Fujisawa (who also wrote Twilight Samurai, The Hidden Blade, Love and Honor), the film depicts the uneasy life of Noe Isomura (Rena Tanaka) with the difficult family she has married into after her former husband passed away. One day as she tries to brake off a branch of a cherry tree, she is aided by a samurai who she does not recognize but who recognizes her. He turns out to be a former suitor that she never met named Yaichiro Tezuka (Noriyuki Higashiyama) and who teaches swordsmanship to the local samurai. Meanwhile, the powerful new chief retainer of the village enacts land policies that threaten the survival of the local farmers.
TAJOMARU is the famous 'bandit' of the forest from RASHOMON. Whoever kills Tajomaru inherits his name, status and sword. A royal brother leaves his kingdom to protect the princess he loves, only to find a series of harrowing adventures along the way which lead him back to where he came from, and then disinheriting his past to become the bandit TAJOMARU.
The man is chased by losing the beauty and preciousness of love and the foundation of life without overcoming the hardship of life.
Japan, 1137. The Taira family, a samurai clan, becomes involved in the disputes between Emperor Toba and the monks of Mount Hiei.
A historical chivalric drama with tears and laughter, telling the story of Jirocho Shimizu's family, his confrontation with Katsuzo Kurokoma's family, right up to the final battle on the Tenryu River to avenge Ishimatsu Mori.
Kitagawa Utamaro is a famous ukiyo-e artist known for his paintings of beautiful women. The courtesan who became his model became even more popular. Ocho, a resident of an apartment building, hears about this and secretly plans to follow Otose, the owner of Mizuta-ya, who became famous as Utamaro's model. At this time, the Kano school, headed by Kano Eikawa, which was under the control of the shogunate, is dissatisfied with Utamaro's fame and tries to compromise him…
A suspenseful Ninja fantasy based on Shiba Ryotaro's novel, woven with the mysterious fate and romance of Shinzo and a beautiful Princess who find themselves at the center of an intrigue surrounding the legendary land of Yasurai in the mountains of Kumano. Hidden gold, the love of a beautiful Princess, and the approaching evil sword all contribute in bringing you a Ninja action thriller that only the legendary actor Okawa Hashizo and the genius director Kato Tai could produce!
In this film, Hibari plays a dual role as brother and sister. The story involves a journey to Hanagasa for an incognito Lord (Kotaro Satomi) to overthrow an attempted usurpation of his domain, while being harassed by vassals of the usurper (Kensaku Hara). There's also a mysterious ronin played by Jushiro Konoe. The songs are seamlessly woven into the narrative and don't overwhelm the action. While the plot is derivative it is good example of its type and quite enjoyable. Note that there are some flashback sequences in black and white.