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It's basically just a reverse of the first film, but 'Honey, I Blew Up the Kid' still satisfactorily entertains. It's not as interesting as the original given that one has loads of funny anomalies, whereas this has just the singular difference of a giant baby. As such, events do drag out towards the end. However, I did find myself enjoying it, albeit on a minor level. There are a few amusing moments, while it does create some interesting shenanigans with the big kid. Rick Moranis is the only cast member worth talking about, he doesn't give an incredible performance or anything close but remains - just like in the 1989 production - the best part of the film. I expected it to be terrible, it's actually alright - not one to be taken at all seriously, it's purely childish. I'm sure the younger audience will find enjoyment in it.
Well last time the "Szalinski" (Rick Moranis) science machine managed to reduce their kids to the size of ants, this time round his gadget can make an apple the seize of a Buick! That's proven when it's near a person and an electrical charge - not a good thing for their mischievous toddler "Adam" (Daniel Shalikar) who ends up 100-ft tall, marauding through the streets with an enormous Teddy Bear, wreaking comedy havoc. How can they reduce him back to normal before the lights of Vegas attract him and even more chaos ensues? I suppose it's quite fun to look at things through the eyes of a small child - everything is bright, colourful and an intriguing plaything - but so much of the execution of this reminded me of a 1960s Godzilla film with really quite forced humour emanating from some cringeing performances and some seriously contrived attempts at keeping this from degenerating into a slapstick farce of a film. Moranis worked OK as the family-orientated geek last time around, here there is something almost desperate about his attempts to please. His bosses, his family, us... I think this genre works best when there's something natural to it, we smile or laugh because we want to, not because the director has left convenient moments where someone off-set would hold up a board. I'm not sure this ever really had any sequel value, but this is a feeble attempt I'm afraid and please let's keep "Wayne" away from any more gizmos.
In order to learn how to be responsible, two wealthy teen sisters are forced to work in the family business by their exasperated father. When company funds goes missing, it's up to the girls to save the day.
A father's takes his estranged son on a fishing trip as a way of bonding, but when the car breaks down he realises it's not the only thing that needs fixing.
Hapless office worker Alfi needs help from his pals when he unexpectedly falls for the daughter of his boss — a stern man with eyes for Alfi's mom.
Doug and Abi and their three children travel to the Scottish Highlands for Doug's father Gordie's birthday party. It's soon clear that when it comes to keeping a secret under wraps from the rest of the family, their children are their biggest liability...
During the annual Christmas gathering at the family home, the parents surprise their children by announcing their decision to move in with one of them and pass on the house.
An imaginary world comes to life in a holiday tale of an eccentric toymaker, his adventurous granddaughter, and a magical invention that has the power to change their lives forever.
It isn't easy to find a dream to chase when you're young, but Mugiko has one: she can't wait to become an anime voice actress. Saving up for classes while she works part time in a manga store, she lives with her older, gambler brother after her father's death. When the mother she never knew turns up out of nowhere and moves in, it only causes irritation for the aspiring otaku. But when her mother just as quickly disappears, it leaves Mugiko (or "Sweet Pea") searching for answers, bringing her back to her mother's hometown to discover what happened to her mother's own dream.
Rafael is the oldest brother of a close family belonging to generation of Olimpia Soccer club fans, he is in charge of managing the family's mini market. Due to his brothers mistake, he receives an eviction notice from the bank, and decides to pose as a lawyer to solve the case.
Ryden Malby has a master plan. Graduate college, get a great job, hang out with her best friend and find the perfect guy. But her plan spins hilariously out of control when she’s forced to move back home with her eccentric family.
Twelve-year-old Iwo lives in a small, post-communist town that is home to the old and destroyed Black Mill – once a place of work for many parents. Breaking the promise to not approach the old mill, the children accidentally unleash its evil powers. From that moment, nothing will ever be the same again as people and things start to disappear.
