The Coddling of the American Mind 2024 - Movies (Feb 6th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
V/H/S/Beyond 2024 - Movies (Feb 6th)
Mafia Wars 2024 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Slide 2025 - Movies (Feb 5th)
Queer Planet 2024 - Movies (Feb 5th)
The Forge 2024 - Movies (Feb 4th)
Green and Gold 2025 - Movies (Feb 4th)
Grace Wins 2024 - Movies (Feb 4th)
Deadzone 2024 - Movies (Feb 4th)
The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
Thirsty for Likes 2024 - Movies (Feb 4th)
Three Secrets 2024 - Movies (Feb 4th)
Ryans World the Movie Titan Universe Adventure 2024 - Movies (Feb 4th)
Love Island- All Stars - (Feb 6th)
Richard Osmans House of Games - (Feb 6th)
The Dog House - (Feb 6th)
Andrea Mitchell Reports Reports - (Feb 6th)
Chris Jansing Reports - (Feb 6th)
The Nature of Things - (Feb 6th)
Four in a Bed - (Feb 6th)
Katy Tur Reports - (Feb 6th)
Come Dine With Me- South Africa - (Feb 6th)
Homes Under the Hammer - (Feb 6th)
Divided by Design - (Feb 6th)
Perfect Match - (Feb 6th)
Family Feud Canada - (Feb 6th)
Live PD Presents- PD Cam - (Feb 6th)
NCIS- Sydney - (Feb 6th)
Australia on Fire- Climate Emergency - (Feb 6th)
Bangers and Cash - (Feb 6th)
Celebrity Help My House Is Haunted - (Feb 6th)
Someday at a Place in the Sun - (Feb 6th)
Bargain-Loving Brits in the Sun - (Feb 6th)
I liked but didn’t love writer / director Maria Fredriksson’s “The Gullspång Miracle,” an interesting, if eerily familiar, documentary that has shades of both “Catfish” and “Three Identical Strangers.” It’s a fascinating story, but Fredriksson doesn’t do a good job telling it. The end result is a twisty, turny, frustrating film that leaves the viewer with very few answers. It all started with a (supposed) divine premonition that led two sisters to buy an apartment in the tiny Swedish town of Gullspång. When the go to sign the papers, the seller looks absolutely identical to their older sister who died by suicide (supposedly) nearly three decades earlier. As the sisters try to reunite their family and seek answers to how any of this is possible, huge cracks form in each person’s story, and deep, dark secrets are unearthed as everyone’s lives spin out of control. Nothing ever feels legitimate about the sisters, especially when faced with an outsider that they want so desperately to be the sibling they lost 30 years earlier. What started as a positive story turns ugly and downright nasty, and the sisters realize they all have very different lives and upbringings. This is a tale of what happens when you don’t want your family to be your family, and after a series of DNA tests and a deeper investigation into what actually happened, more shocking and strange revelations emerge in a tangled yarn about religion, suicide, murder, and missing persons. The film exposes a web of deceit and lies, and it’s clear someone is not telling the truth here. Eventually, Fredriksson becomes skeptical and asserts that she feels she’s being duped and that someone is lying, but who? The director annoyingly inserts herself into the movie, which really puts a damper on the storytelling. From the opening scene, the documentary feels like a staged set-up. The story is extremely complicated and difficult to follow, and Fredriksson isn’t equipped to handle all the labyrinthine qualities of the narrative. “The Gullspång Miracle” is a story that I won’t soon forget, but the film offers zero resolution. Despite this major letdown, it’s still one of the more interesting documentaries in years.
With four strikes against her (black, female, poor and a lesbian), our trailblazer, Jewel Thais-Williams, helped changed laws, save lives and influence communities across Los Angeles, California as she opened her legendary nightclub's door for 42 years.
First Edition is a 1977 American short documentary film about the Baltimore Sun directed by Helen Whitney. It was nominated for an Academy Award for Best Documentary Short.
“In the beginning, women lived apart, unaware of the existence of men. Until one day, when the first woman, Toli, who was brave and adventurous traveled deep into the forest. Toli discovered solitary creatures with big muscles who knew how to climb trees and harvest wild honey. When Toli tasted their honey, she thought they should all live together….” That is how one of the creation stories of the Aka people from the tropical rainforest of the Congo Basin goes. Akaya, Kengole, Dibota and their friends and family are hunters-gatherers (and also great story-tellers) who guide us through their world. They explain their origins, myths, and the very spiritual meaning of life.
Margaret Mee and the Moonflower is a documentary about the life and work of the botanical illustrator, Margaret Mee, a pioneer and a visionary, one of the most important artists of the twentieth century. Through her diaries, interviews and narratives, the film reveals a tireless advocate for the preservation of Brazilian flora, whose love of nature and whose art provide a constant reminder of the need to preserve our environment.
What is a family? Rosie O'Donnell looks at the many answers to this question in this documentary that features original songs and thoughtful kids musing on love and family. The show provides a less than moving portrait of the remarkable diversity of so called families today, including same-sex parents, mixed-heritage families, and stories of adoption. Animated songs and musical performances by kids and families spice up the festivities along with performances and recordings by artists including Ziggy Marley, Bonnie Raitt, Doris Day, Sweet Honey in the Rock, Frank Sinatra, Rosie O'Donnell and They Might Be Giants.
The film explores the daily lives of three children with Congenital insensitivity to pain, a rare genetic disorder shared by just a hundred people in the world. Three-year-old Gabby from Minnesota, 7-year-old Miriam from Norway and 10-year-old Jamilah from Germany have to be carefully guarded by their parents so they don't suffer serious, life-altering injuries.
Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.
Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decline of Western Civilization (1979-1997). Preserved by the Academy Film Archive in 2012.
Since 2013 more than 30,000 fighters from all over the world have joined the troops of the self-proclaimed Islamic State (Daesh) in Syria. Fighting against them as part of the YPO (Popular Protection Command) in Rojava—in the north of Syria and prevalently Kurdish—are some hundreds of Westerners. This is the story of three of them: a former American marine, an Italian anti capitalist activist, and a Swedish bodyguard.
Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour in Germany, Italy and France. Her objective was to capture Pina Bausch's unparalleled art not only on stage by behind the scenes.
Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.