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Mothers Day actually has something to offer the viewer but as is so often the case these days, "the message" gets in the way. Lets start with the positives. Creative use of action. Action is comprised mostly of well choreographed, if not overly convincing, fight scenes. Innovation is the key here, using a range of things as weapons, right down to tins of beer (a terrible waste if you ask me). The story's not original but not too bad either. The characterisations, especially the lead, have a little depth and humanity, rather than being of the cardboard, cut out, "hero" variety. Pacing's good too, you never really get the chance to be bored by this film. Regrettably, a lot of this good stuff is interrupted by the usual woke pandering, that's become so common in cinema and series, these days. Its the usual tiresome stuff. I'm not sure how many times I've said I come to entertainment to be entertained, not lectured. There's also an unwelcome dash of what, in this reviewers opinion, might potentially be interpreted, as anti Russian sentiment? In summary, a lot to like but equally a lot that's not only unappealing but could have been easily been left out of this film, to its benefit.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors - veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie - unravel.
When a drug deal goes wrong, it catches the attention of both the law and the criminal world. What follows is utter mayhem that will link the fate of three gangs, an unscrupulous cop, a greedy monster, and a street-smart stringer.
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When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
In an apocalyptic future world, a young upper class couple is visiting an exhibition of surrealistic paintings, presented by a group of young anarchists in their loft flat where they trap and torture their high society guests.
Trapped in a nightmarish shed by a sadistic serial killer, a young girl must conquer a deadly trial to secure her freedom before it's too late.
When a rich man's son is kidnapped, he cooperates with the police at first but then tries a unique tactic against the criminals.
After the harrowing death of his partner, forensic psychologist and best-selling author Alex Cross cannot forgive himself and has retreated to the peace of retirement. But when a brilliant criminal kidnaps a senator's young daughter, he is lured back into action as the kidnapper wants to deal with Alex personally. Teamed with Jezzie Flanigan, the Secret Service agent assigned to protect the missing girl, Alex follows a serpentine trail of clues that leads him to a stunning discovery - the kidnapper wants more than just ransom.
Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities.