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I hated the story, let's get that out of the way first. This film is about character acting at it's best, though, and Shirley MacLaine ("Aurora") and Jack Nicholson ("Garrett") bring us charisma and entertainment in spades which thankfully rescues the really pedestrian plot from abject mediocrity. Since her birth, "Aurora" has fussed over her daughter "Emma" (Debra Winger) and upon the death of her husband, settles down to a rather vicarious existence living life through her daughter, her husband "Flap" (Jeff Daniels) and their children. She is a strong willed woman, with love that can be gentle and kindly, or that can be rude and interfering with much of the frequently sardonic humour emanating from her disinclination to let them live their own lives. Next door we find "Garrett", a somewhat disreputable womaniser. A former astronaut who trades well on his erstwhile status, but who takes a bit of a shine to "Aurora" - and that's another source of lively comedy as the two clash with engaging regularity. The last hour descends rather quickly into melancholy, though, as the young "Emma" has to deal with her own problem husband, and an illness that starts to focus the attention from all concerned onto what really matters with their relationships. MacLaine is always good with these rough-round-the-edges roles and here there is plenty of chemistry on the sparing occasions in which she and Nicholson feature. Sadly, for me anyway, the rest of this hovers way too close to melodrama and though at its best it is really good, for the most part I was rather underwhelmed by the family antics that underpinned so much of the (over-long) story.
1920s Germany. Two sisters aged six years, no sooner see their remaining parent buried when they are torn apart. Lotte goes to live with her upper middle class Dutch aunt in Holland, Anna to work as a farm hand on her German uncle's rural farm. The World War II impacts each of their lives and finally in old age they meet again.
A murder opens up a bleak trail of long buried secrets and small town corruption for a worn out police detective and his squad.
A man with a troubled past is released on parole. He finds work as a church organist and develops a rewarding relationship with a priest and her young son. However, his past soon catches up with him.
Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year's Day.
The adventures of two good old boys from Texas, no-account buddies who are finally forced to face reality for themselves and for their girlfriends.
It is the beginning of the school year. At 13 years old, Ben discovers the effects of puberty on his classmates who have changed a lot. Especially Claire, who is now really pretty. Ben would like her to notice him, but he is hung up by his weight and even the school nurse worries about him. Despite his passion for cooking, Ben decides to go on a long and difficult diet. To face the bullying from Max and his gang, Ben can count on the support of his crazy family and his friends Claire, Eric and Sonia. Together, they start a band for the Christmas show, at the end of a year that will have made them all grow up, gain confidence in themselves, in life and in love.
Set in the period between the two world wars in a seaside village in the bay of Amvrakikos. Two children, Petros (8 years old) and Anthoula (7 years old) spend their summer holidays. During a walk they discover in an isolated shack a boy who lives with his mother. He is rejected by the community because of tuberculosis. Petros and Anthoula become friends with the boy. They encounter the cruelty of the adults and they decide to resist.
A mother, enduringly traumatized by the disappearance of her three-year old daughter 15 years ago, has cut herself off from her ex-husband and son. However, when a troubled young woman with a checkered past enters her life, old psychic wounds painfully resurface, as does the illogical and increasingly irrational hope that the young woman may be the daughter she lost so long ago.
The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony winner Jefferson Mays plays over 50 roles in a virtuosic masterclass of a performance that must be seen to be believed.