Nkumi, la vie quotidienne

Documentary about the inhabitants, both human and animal, of the Belgian Congo. Released in 1958.

“In the beginning, women lived apart, unaware of the existence of men. Until one day, when the first woman, Toli, who was brave and adventurous traveled deep into the forest. Toli discovered solitary creatures with big muscles who knew how to climb trees and harvest wild honey. When Toli tasted their honey, she thought they should all live together….” That is how one of the creation stories of the Aka people from the tropical rainforest of the Congo Basin goes. Akaya, Kengole, Dibota and their friends and family are hunters-gatherers (and also great story-tellers) who guide us through their world. They explain their origins, myths, and the very spiritual meaning of life.

Film about the singing and dancing culture of the Ingush people

The Democratic Republic of the Congo is a vast, mineral rich country the size of Western Europe. Alastair Leithead takes an epic journey from the Atlantic Ocean to the far reaches of the Congo river to explore how history has shaped the Congo of today and uncover the lesser told stories of this beautiful, if troubled country. In the largest rainforest outside of the Amazon he comes face to face with its gorillas and hunts with pygmies, he travels into the heart of the Ebola outbreak with United Nations peacekeepers, and explores the cobalt mines which will drive our electric cars of the future.

In urban America, the bush of Africa, the war zone of the Congo, and in closed nations there are women who are living outside their own cultures, society, and comfort level to care for orphans, build schools, liberate addicts, feed the poor, and love the broken. These ordinary women are reaching into hopeless situations of people and creating hope.

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

About the "concheros", dancers in México City that keep aztec traditions alive.

The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.

Short ethnographic documentary on the Tetela tribe in Congo based upon footage and commentary by director Luc de Heusch from 1953 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).