Просвітлої дороги свічка чорна. Пам'яті Василя Стуса

The first film of documentary trilogy «Black Candle of the Bright Road. In memory of Vasyl Stus» covers the events of Vasyl Stus's life from birth to the beginning of the 70s. It contains interviews with his mother Iryna Stus, comrade Vasyl Shymanskyi, Roman Korohodskyi, Vyacheslav Chornovil, Mykhailyna Kotsyubynska, Marharyta Dovhan and others, photos from the times school and institute studies, army service, postgraduate study at the Institute of Literature, fragments from letters and essays.

Vasyl Stus dreamed of engaging in literature, not politics; to be a famous poet, not a dissident. But the Soviet special services and the CPSU pushed him to a point of no return. How did such a transformation take place? What was "Yours Vasyl" really like?

The third film of documentary trilogy «Black Candle of the Bright Road. In memory of Vasyl Stus» covers the events from the return from Kolyma in 1979 to the reburial on November 19, 1989. Interviews with the last cellmate of the writer Leonid Borodin, former political prisoners Vasyl Ovsienko, Levko Lukyanenko provide an opportunity to recreate the last episodes of Vasyl Stus's life: the conflict with Romashov, a fictional report about Stus's behavior in the cell, his emotional explosion due to slander, the announcement of a hunger strike, solitary confinement, night from September 3 to 4, 1985.

The second film of documentary trilogy «Black Candle of the Bright Road. In memory of Vasyl Stus» covers the period from the first arrest on December 12, 1972 to the death of the father in June 1978. Interviews with his son Dmytro Stus, wife Valentyna Popelyukh, comrades Oleh Orach, Yevhen Sverstyuk, Opanas Zalyvakha, Ivan Kalynychenko, Leonid Seleznenko, Semen Hluzman, Iryna Kalynets and others reveal the details of the search, imprisonment, trial on September 7, 1972, and the prisoner's life of the writer.

Make it new John tells the story of the DeLorean car, its creator John DeLorean and the workers of the Belfast-based car plant who built it. The film deftly contrasts the DeLorean dream with its spectacular downfall during a critical period in Northern Ireland's history, and the canonisation of the car - the DMC12 - as a symbol of the American myth of mobility. As with the earlier works such as Bernadette (2008) and Falls Burns Malone Fiddles (2003), in Make it New John, Campbell fuses a documentary aesthetic with fictive moments, using existing archive news and documentary footage from the 1980s as well as new 16mm footage which imagines conversations between DeLorean factory workers. Campbell questions the documentary genre and reflects here on broader existential themes and narrative drives.

Why did Milos Forman have to make certain films the way he did? Where does his inner strength come from? What is the story of his life?

Before its economic decline, Detroit was a major metropolis. Now, in the 2000s, the young people of the Motor City are making it their own DIY paradise where rules are second to passion and creativity. Johnny Knoxville tours the city to meet some of the people who are creating a new Detroit on their own terms, against real adversity.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.