pursuit

A guy walks into a café...

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

Late Bloomer is the pastoral romance of an eternal recurrence. Director's talent to plea for love without any dialogue would touch the hearts of audiences. The old man's day out which at first seemed like the ordinary visit of his family's graves turns out to be the poem about the everlasting love. Actor Yoo Soon-cheol wrote this poem with his old and stoop-shouldered body.

With an experimental treatment looming to cure her aggressive cancer, Jamie ventures to the lake where her and her girlfriend, Grace, fell in love, fearful it will be the last time she ever sees it.

Yağmur is a young woman with very strict boundaries. She lives in Istanbul and works as a fashion editor. Yağmur doesn't accept the fact that her brother Bulut is gay. Bulut, wishing to be a play writer someday created himself a world in his home where he can play Andy Warhol. And he named it Factory. Life is a struggle for these two high-class children. While Yağmur is fighting against her boyfriend's marriage expectations, Bulut is trying to fall in step with his boyfriend's life. While these two different relationships have their own battles trying to survive in some way, a death will change everything.

Victor has a nice life in Madrid with his partner, José. However, after returning to his childhood home in the mountains of Bulgaria for his grandfather's funeral, he decides to stay for the summer. While reconnecting with his father and the village way of life, he unexpectedly finds love in the form of Liuben, an 18-year-old Roma boy. Despite their differences, and the conflicts surrounding them, Victor and Liuben find refuge in each other, while a romance begins to take form.

Tala, a London-based Palestinian, is preparing for her elaborate Middle Eastern wedding when she meets Leyla, a young British Indian woman who is dating her best friend. Spirited Christian Tala and shy Muslim Leyla could not be more different from each other, but the attraction is immediate and goes deeper than friendship. But Tala is not ready to accept the implications of the choice her heart has made for her and escapes back to Jordan, while Leyla tries to move on with her new-found life, to the shock of her tradition-loving parents. As Tala's wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.

It has been a year since Tod's death, yet Pla Thong still cannot move on.

A lonely photographer's obsession with an enigmatic, beautiful classmate takes a dark turn.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.

Nabou, an Afro-German slacker, desperatly wants to win back her club kid ex-girlfriend Katja. Nabou becomes a housekeeper for Katja's neighbor, Kim, who is a workaholic that is striving to become a partner in an advertising agency. A refreshing romantic comedy with the ingredients of a classic lesbian feature: whimsical sexiness, mistaken identity, and general madness and mayhem.