Robot Radius

Although the past two years have been challenging for the Theatre industry, they also showed its incredible strength and resilience. Through interviews with West End performers and creatives, this documentary outlines the difficulties presented to our industry over the course of the pandemic, as well as highlighting changes - both positive and negative - that have come from it. An emotional reflection on a battle it was worth fighting for. All profits will be going to 'Acting for Others', an organisation that provides support to all theatre workers through 14 member charities. We hope these stories full of passion for Theatre inspire you just as much as they inspired us!

In May 2014, just months after Dan died, the DSM Foundation commissioned award-winning playwright Mark Wheeller to write a verbatim play that told his story, so other young people could learn the lessons he sadly no longer could, and make choices that would keep them safe. The title takes Dan’s joking last words to his mum, Fiona, before he left home for what turned out to be the last time: ‘I Love You, Mum – I Promise I Won’t Die’. Mark worked on the very first production with his talented youth theatre company in Southampton, Oasis Youth Theatre, and the play had its first public performances in March 2016, with previews in Southampton and its premiere at the BRIT school, just a mile from Dan’s home in Croydon, South London.

The title of the film reflects the custom of writing poems and lyrics on paper lanterns. The film tells about the difficult relationship between the actors of the Japanese classical theater No, friendship, hatred and love…

Dr Frankenstein obsesses over his creation in Blackeyed Theatre’s adaptation of Mary Shelley’s masterpiece, in which The Creature is brought to life through puppetry. Captured live at Wilde Theatre, Bracknell, in 2022, this production features ensemble storytelling, multi-roling and live music and explores themes of revenge, prejudice and ambition.

Two actors perform a play without an audience.

An 11-year old vendor of pirated copies of films in a downtown capital tries every possible way in his position to watch a film for the very first time inside the comfort of a cinema.

Michael Morpurgo's heart warming story of a champion Chelsea footballer set against the backdrop of the Second World War.

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Andrea Pennacchi questions whether it is still possible to restore the Homeric poems in all their power and tries in his own way, starting with the literal text and then enriching the narrative with reflections, memories, insights and fantasies.

In Jean Rouch's cinematic reinterpretation of Julius-Amédée Laou's theatrical work, a freshly appointed nurse steps into the chaotic world of a psychiatric ward. Tasked with nurturing the minds within, she forms a profound connection with a patient from Martinique who has been confined within the institution's walls for half a century. As their relationship deepens, the lines between reality and delusion blur, weaving a complex narrative of human connection and psychological intrigue.