Transuniversal

F, an 18-year-old boy, immerses himself in the world of the Drag Queen where he begins to build his identity despite family and social mandates, which impose on him to be afraid and ashamed of being who he is.

A film that sets a magnifying glass on the representation of lesbians in fiction products that were broadcasted on Argentine television from 1992 to 2014 on over-the-air channels. Based on interviews with professionals from various disciplines and archival images, the documentary reveals a negative characterization that predominates in the representations. The characters lack social depth and are distant from reality. The small screen presents us with lives marked by a dramatic coming out of the closet or, even worse, their permanence in it. The voices of Albertina Carri, Ernesto Meccia, Analia Couceiro and Vir Cano reflect on fictions from their backgrounds and their own life stories.

Two young men meet during a day at the seaside. A reflection of the concerns that give way to maturity, of the fleetingness of summer and, sometimes, of love.

The story is set during the early 1980s in a small town in rural Spain. El Chiqui is a talented young man about to debut in the local bullring, expected to continue the legacy of his family name. But that is not what he truly wants. His secret relationship with a young man from the town, Nicolás, offers an escape from the village, leaving the family pressures behind.

A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene

Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.

On the birthday of the patriarch of the family, one of his sons decides to come out of the closet and test the tolerance of his nearest and dearest. But the surprises that he has up his sleeve do not end there.

Make it new John tells the story of the DeLorean car, its creator John DeLorean and the workers of the Belfast-based car plant who built it. The film deftly contrasts the DeLorean dream with its spectacular downfall during a critical period in Northern Ireland's history, and the canonisation of the car - the DMC12 - as a symbol of the American myth of mobility. As with the earlier works such as Bernadette (2008) and Falls Burns Malone Fiddles (2003), in Make it New John, Campbell fuses a documentary aesthetic with fictive moments, using existing archive news and documentary footage from the 1980s as well as new 16mm footage which imagines conversations between DeLorean factory workers. Campbell questions the documentary genre and reflects here on broader existential themes and narrative drives.

Why did Milos Forman have to make certain films the way he did? Where does his inner strength come from? What is the story of his life?