Have I Got a Bit More News for You - (Dec 1st)
Highland Cops - (Dec 1st)
Martin Scorsese Presents- The Saints - (Dec 1st)
Countryfile - (Dec 1st)
Strictly Come Dancing- It Takes Two - (Dec 1st)
Saturday Kitchen Best Bites - (Dec 1st)
Sunday Brunch - (Dec 1st)
Face Jams Truckd Up - (Dec 1st)
Girl Meets Farm - (Dec 1st)
Lucky - (Dec 1st)
Love Your Weekend with Alan Titchmarsh - (Dec 1st)
EXOs Travel the World on a Ladder - (Dec 1st)
The Swiss Family Robinson- Flone of the Mysterious Island - (Dec 1st)
The Late Late Show - (Dec 1st)
Invincible Fight Girl - (Dec 1st)
Motorway- Hell On The Highway - (Dec 1st)
The Beat with Ari Melber - (Dec 1st)
The Sunday Show with Jonathan Capehart - (Dec 1st)
Dispatches - (Dec 1st)
Cooking Buddies - (Dec 1st)
In this immersive documentary, Winston Stairs invites the audience on a soul-soothing expedition into the world of hiking. Winston’s adventurous spirit guides the viewer through the forests of Ontario, sharing in the enchanting beauty of nature. Through breathtaking landscapes and personal reflections, the film captures Winston's profound love for hiking as more than a mere pastime—it becomes a transformative experience that welcomes self-discovery and a strong relationship with our environment. Join Winston on this inspirational trek, where every step reflects the joys of exploring and the tranquil side of our planet.
Documentary film written by music critic Artemiy Troitskiy. It depicts the variety of Soviet and Baltic rock music and offers its viewer an idea that all this forbidden music is not really dangerous for society. Featuring music bands: "Круиз" (Tambov), "In Spe" (Estonia), "Новый мир" (Estonian hard-rock), "Великие Луки" (punk-rock from Tallinn). Moscow music scene represented by: "Тупые", "Нюанс", "Звуки Му". Leningrad music scene: "Джунгли", "Алиса". Also appearing: "Воплі Відоплясова" from Kiev and "Антис" from Lithuania. Not credited: Roman Neumoev with "Инструкция по выживанию" and Oleg Sudakov with "Гражданская оборона".
A closely observed portrait of a single man in his 40's who lives in St. Kilda. Although he has none of the trappings of conventional existence, Kelvin's obsessive interest in born again Christianity, physical culture and recent German/Jewish history has given him a way of making sense of the world and led him to a number of people, friends through whom we see something of his life and beliefs.
How does love fill your life? What is your perspective on love? (not)betrayed by love recognizes that there are several truths about love Is your love fragile, full of loneliness or full of life?
As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.
A one-month-journey of twin sisters from London back to their home, Bangkok, by train. They traveled via the famous trans-Siberian route through many countries such as Germany, Russia, Mongolia and China, with many stories to tell.
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.
Impressionistic picture of the Third Avenue Elevated Railway in Manhattan, New York City, before it was demolished. Preserved by the Academy Film Archive in 2010.