In Jesus’ Name: Shattering the Silence of St. Anne's Residential School

Digging through the vast collection of his father's home videos, a young man reconstructs the unthinkable story of his boyhood and exposes vile abuse passed through generations.

December the 31th, 2003. Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old and resolves herself to bring it to him in person, wherever he may be.

A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.

How the Fiddle Flows follows Canada's great rivers west along the fur-trading route of the early Europeans. The newcomers introduced the fiddle to the Aboriginal people they intermarried with along the way. A generation later, their mixed-blood offspring would blend European folk tunes with First Nations rhythms to create a rich and distinct musical tradition. From the Gaspé Peninsula, north to Hudson Bay and to the Prairies, How the Fiddle Flows reveals how a distinctive Metis identity and culture were shaped over time. Featuring soaring performances by some of Canada's best known fiddlers and step dancers and narrated by award-winning actress Tantoo Cardinal.

Renowned Haida artist Bill Reid shares his thoughts on artistry, activism and his deep affection for his homeland in this heartwarming tribute from Alanis Obomsawin to her friend's life, legacy and roots.

Documentary film about the "zanja de Alsina", a long trench dug in the Argentinian Pampa in 1876 as way to separate the "civilized" from the "barbarians" during the massacre of indigenous peoples known as "campaña del desierto".

Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.

In the '60s, the Mushuau Innu had to abandon their 6,000-year nomadic culture and settle in Davis Inlet. Their relocation resulted in cultural collapse and widespread despair.

Manuel Barbero, father of a sexual abuse victim, and Joaquin Benitez, the pederast who abuse the son of Manuel and 20 more children, are the main characters of this documentary. The director of the film approaches these key figures of this story with a work of journalistic investigation. For the first time, a pederast speaks and confesses with his face uncovered in a documentary.

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.