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This is actually quite an harrowing film that follows the investigative journalism of a woman who poses as the grandfather of a man in the rather dilapidated "Rainbow Bridge" Care Home. "Kay" (Jennifer Yu) turns up one day to chat with her aged and senile relative only to witness scenes of neglect and violence that the nurses and manager put down to discipline and being understaffed. That second point is most definitely true, and after befriending the cook she volunteers to assist - only to discover that what she saw on day one is but the tip of the iceberg and that the place has an history epitomised by the terrified "Ming Chai" (Henick Chou) and the young and impressionable "Wong Siu-Ling" (Rachel Leung) who pays an heavy price for her love of ice-cream. As the story unfolds, we realise that nobody is quite whom they appear and we find ourselves involved in legal proceedings that show up a shocking lack of interest from the authorities, some money-grabbing and duplicitous investors, a staff who treat these patients with scant regard - and that's at best, and we are exposed to an environment of physical, mental and sexual cruelty that makes you squirm. The acting from Yu and from the increasingly impressive (if odious) Bowie Lam as the man in charge is potently effective, as is the rather sparing dialogue - so much of this is laid before us for our own evaluation and that works well too. The conclusion - well you couldn't really make that up and it does disgust, on so many fronts. It's well worth a watch, this film.
A reporter becomes the target of a vicious smear campaign that drives him to the point of suicide after he exposes the CIA's role in arming Contra rebels in Nicaragua and importing cocaine into California. Based on the true story of journalist Gary Webb.
A young woman searching for her birth parents in order to fulfill her sense of identity joins with an organization that fights the bureaucracy keeping adoption records sealed.
Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
Unemotional, restrained cinematographic poem, situated in a wintry and poor suburb of Tehran. A man is dismissed and his lack of prospects for the future make him decide to seek his happiness abroad. He leaves his wife and child behind and for a long time nothing is heard of him. Then a stranger turns up, a car mechanic looking for a job. The attractive single mother can’t resist his attentions. Very subtly, a struggle ensues that reflects that of a whole generation of young doubting Iranians who may want to leave the country, but hardly know how to start.
After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.
Humble and introvert Muharrem lives in a solitary and meager existence of a prayer and sexual abstinence adhering strictly to the most severe Islamic doctrines.His extraordinary devotion attracts the attention of the leader of a rich and powerful Istanbul religious group and he offers him an administrative post as a rent collector for their numerous properties. Muharrem's new job throws him into the modern outside world he has successfully avoided for so long. He soon witnesses conflict attitude toward alcohol consumption and goodwill.He notices that he himself has become proud, domineering and even dishonest.To make matters worse, Muharrem's inner peace is unnerved by the tormenting image of seductive woman who tempts him in his dreams,both night and day.With the balance of his devotion now upset,his fear of God begins to eat away at his senses.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.
Tobias is the new, idealistic priest in a suburb but he soon learns that his flock is quite uninterested in Christianity. However, he befriends Carolina, a chain smoking woman his age, wheelchair-bound since birth. It is opposites attract although their backgrounds are different.
A PSA about Hate Crime. Young Izaak finds out that his father has been yet another victim of Hate Crime, while also learning what to do in this situations.
Four upper-class high school students live carefree between drugs, games and love until one of the girls, Eli, is brutally killed. Sixteen years later, the memory of the crime torments Alain, another member of the group.
