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If anyone is ever looking for an introduction to opera - then they could do much, much worse than this abridged version of Bizet's "Carmen". Telling the story of the anonymous temptress (Geraldine Farrar) who helps her smuggling friends by seducing the erstwhile incorruptible "Don José" (Wallace Reid) so they can continue to ply their trade. Soon, the poor captain is ensnared in her trap and when he kills his brother to help her, finds himself in the soup, so to speak. Whilst the detail of the story is largely lost here, the gist remains and the performances from the truly world class soprano Farrar and from Reid do their job fine. The design of the production is also quite effective: it hasn't the static look of so many of these early stage-to-screen adaptations - especially around the torero scenes - and, of course, it has the wonderful score to underpin it. The inter-titles are sparing - we get most of the plot from their expressions and the music, and that largely works well too. It is a bit clunky at times, the big crowd scenes are a bit confusing but the cat-fight is quite fun and it offers enough of a soupçon of the original, quite visceral, story to make it well worth watching.
As a Hollywood actress begins to adopt the persona of her character in a film, her world becomes nightmarish and surreal.
In this luminous tale set in the former Yugoslavia, Perhan, an engaging young Romany with telekinetic powers, is seduced by the quick-cash world of petty crime that threatens to destroy him and those he loves.
After fleeing from his foster family, 11-years-old Khamsa returns to the gypsy camp where he was born. With his cousin, Tony "The Midget", Khamsa dreams of getting rich with cock fights. Nothing seems to have changed since he left, the card games, the Mediterranean Sea... Until his best friend, Coyote, meets Rachitique, a small-time crook. Very soon they pass from stealing scooters to armed robbery, and Khamsa quickly spirals down into delinquency.
On April 5th, 1941, a day before the Nazi attack on the Kingdom of Yugoslavia, a colorful group of passengers is headed for Belgrade...
Zharko, leader of the Romanis in NYC, passes his position of leadership on to his unwilling grandson, Dave, leading to infighting between Dave and his father.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.
Narcisus and Psyche is based on a novel by Sandor Weores which was adapted by Vilmos Csaplar and director Gabor Body for a feature-length film. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.
Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty...
After his brother's death, Larry Talbot returns home to his father and the family estate. Events soon take a turn for the worse when Larry is bitten by a werewolf.