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The Scottish tragedy 'Macbeth' set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen take the roles of the weird sisters, and "Duncan" is Abbaji, the head of a crime family.
A Finnish film version of Macbeth. Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
Joji, an engineering dropout and the youngest son of a rich family lives with his aspirations of becoming super wealthy. Driven by greed and blind ambition, he decides to execute his plans following an unexpected event in the family.
Based on Macbeth, PADDAYI is the story of Madhava and Sugandhi. They are newlyweds from the fishing community in Karnataka, Southern India. Driven by a Tulu deityʼs prophecy coupled with Sugandhiʼs ambition, Madhava murders Dinesh, illegally inherits Dineshʼ property and bring upon himself an eponymous tragedy.
Three witches tell the Scottish general Macbeth that he will be King of Scotland. Encouraged by his wife, Macbeth kills the king, becomes the new king, and kills more people out of paranoia. Civil war erupts to overthrow Macbeth, resulting in more death.
Blood will have blood. Unbridled ambition, supernatural forces, and murderous desires reign supreme in Shakespeare’s most poetic examination of evil. When three witches tell Macbeth that he will become King of Scotland, he plots with his wife to attain the title through an assassination; a bloody act that gives him his crown and sends him careening down the path of his own undoing.
The action of the film is built on Macbeth's thought process, in which he again goes through past events. This happens after the death of Macbeth, when the brain is still alive in the last seconds of life, and the person is still in the cage of his mind for some time. Is this happening in Macbeth's head or is it part of the thought process of each of us?
A theater actor who is taking a part as Macbeth finds himself lost in the role.
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.