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Broken: Past Particle Of Break. Broken is directed by Rufus Norris and adapted to screenplay by Mark O'Rowe from Daniel Clay's novel. It stars Tim Roth, Eloise Laurence, Robert Emms, Rory Kinnear, Faye Daveney and Cillian Murphy. Music is by Electric Wave Bureau and cinematography by Rob Hardy. Theatre and Opera director Rufus Norris turns his hand to feature film, choosing for his debut a cunning slice of British miserabilism and knowing humour. Story is based in North London and primarily centres on a young girl affectionately known as Skunk! She witnesses a sickening act of violence in the cul de sac where she lives, from here the lives of the residents unfold in a number of identifiable ways. Thematically there's much going on, such observations on life's dilemmas from both a child and parenting point of view are superbly played out by the cast. It would have been easy for the makers to lean too heavy on the melodrama, or perform as if it's a headline torn straight from one of Britain's sensationalistic tabloids, but it's played with earthy realism, helped no end by the fulcrum setting of a residential cul de sac that on the surface looks normal, so therefore believable. But of course what lies behind a neighbour's door is rarely all glint and gold. The concurrent theme of violence, illness, heartbreak, grief, so basically life's strifes, gnaws away at the senses, but this is delicately balanced with much love and charm also on show, be it devotion to one's children, or the innocence of youth - puppy love/whimsy/ignorance/inquisitive leanings et al - this picture jabs at the heart in more ways than one. Norris and his team also have a nifty style of filming and scoring, very much putting us in the various frames of this story. It all builds to what in truth is a very crammed last quarter of film, because if ever there was a case for a much longer running time then this is a classic example. But it's just a niggle, and not enough to derail what is a moving, funny and crafty slice of Britannia. Yes! Even if the daring ending has proved divisive. 9/10
"Skunk" (Eloise Laurence/Lily James) lives with her dad "Archie" (Tim Roth) and older brother in what can only be described as the suburban cul-de-sac from hell. Indeed, our own introduction to their street sees neighbour "Bob" (Rory Kinnear) beat up "Rick" (Robert Emms) because he thinks this lad is some kind of pervert. As the story unravels, we realise that "Skunk" has a crush on her hunky schoolmaster "Mr. Kiernan" (Cillian Murphy) who in turn has a bit of a crush on "Kasia" (Zan Marjanovic). The toxicity of this small community is further augmented by an odious young bully and just goes to show how much damage lies can do when unchallenged or supported by societal assumptions. The timelines flash about the place a bit, so you need to concentrate as the threads begin to inter-twine, but as they do we are presented with a really strong performance from the young Laurence and a couple of sparing, but quite potent, efforts from both Kinnear and Emms - whose character assumes greater importance as this drama evolves. It's not an easy watch, and though not overly graphic it still hits the ground running and sustains a steady pace as these increasingly volatile characters struggle to find some sort of peace. True, maybe some of the plot-lines are a touch far-fetched and overly contrived to heighten the drama, but it's still well worth a watch as a glimpse of dysfunctional family life where emotions run high.
Twenty years after walking out on his family and bride on his wedding day, Jacob Hansen returns to the family farm and must accept the changes that happened after his departure.
A successful American family retreat to their summer home on the banks of Lake Erie to find meaning in life, illness, loss, and change this Christmas. With a successful career in the wine business, and two amazing children, what more can a family ask for. But this Christmas will change the Austin family forever with Suzie falling ill. With Andrew struggling over his wife's ill health and the children trying to find peace and solace on their own, only a miracle can help them through this Christmas.
Alice Howland, happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a devastating diagnosis, Alice and her family find their bonds tested.
In a remote Amazon jungle village, a group of angry diamond prospectors revolt when the local government undertakes a violent crackdown.
Nearly a decade after a faulty product landed him in prison, an arrogant inventor is determined to restore his reputation and rebuild his fortune. But first, he has to convince his estranged daughter that he's worthy of a second chance.
With the death of her mother, eight-year-old Anna ends her childhood: From now on, she has to look after the nine-member family. Deprivation-rich years, which also find no end when Anna marries: Her husband Albert must be a soldier in the Second World War, and the pregnant Anna has to work hard in the farm and care sick relatives. Lonely and exposed to the harassment of the tyrannical mother-in-law, she waits for Albert, with no certainty that he will ever return.
Just retired from the Drug Enforcement Agency, John Hatcher returns to his hometown and quickly discovers that drugs have infiltrated his old neighborhood. Determined to drive the dealers out, Hatcher crosses paths with a ferocious Jamaican drug lord who vows that Hatcher and his family are now marked for death.
One day, three siblings receive a postcard from their mother who left them a long time ago. But all it says is "I miss you." Three siblings are disconcerted by the sudden contact, but eventually, they go on a trip to meet their mother.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
Sommer ’04 is a character study of a family on vacation. German director Stefan Krohmer examines the emotional abyss and problems behind the seemingly nice facade of an intact family as they experience guilt, love and jealousy.