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Broken: Past Particle Of Break. Broken is directed by Rufus Norris and adapted to screenplay by Mark O'Rowe from Daniel Clay's novel. It stars Tim Roth, Eloise Laurence, Robert Emms, Rory Kinnear, Faye Daveney and Cillian Murphy. Music is by Electric Wave Bureau and cinematography by Rob Hardy. Theatre and Opera director Rufus Norris turns his hand to feature film, choosing for his debut a cunning slice of British miserabilism and knowing humour. Story is based in North London and primarily centres on a young girl affectionately known as Skunk! She witnesses a sickening act of violence in the cul de sac where she lives, from here the lives of the residents unfold in a number of identifiable ways. Thematically there's much going on, such observations on life's dilemmas from both a child and parenting point of view are superbly played out by the cast. It would have been easy for the makers to lean too heavy on the melodrama, or perform as if it's a headline torn straight from one of Britain's sensationalistic tabloids, but it's played with earthy realism, helped no end by the fulcrum setting of a residential cul de sac that on the surface looks normal, so therefore believable. But of course what lies behind a neighbour's door is rarely all glint and gold. The concurrent theme of violence, illness, heartbreak, grief, so basically life's strifes, gnaws away at the senses, but this is delicately balanced with much love and charm also on show, be it devotion to one's children, or the innocence of youth - puppy love/whimsy/ignorance/inquisitive leanings et al - this picture jabs at the heart in more ways than one. Norris and his team also have a nifty style of filming and scoring, very much putting us in the various frames of this story. It all builds to what in truth is a very crammed last quarter of film, because if ever there was a case for a much longer running time then this is a classic example. But it's just a niggle, and not enough to derail what is a moving, funny and crafty slice of Britannia. Yes! Even if the daring ending has proved divisive. 9/10
"Skunk" (Eloise Laurence/Lily James) lives with her dad "Archie" (Tim Roth) and older brother in what can only be described as the suburban cul-de-sac from hell. Indeed, our own introduction to their street sees neighbour "Bob" (Rory Kinnear) beat up "Rick" (Robert Emms) because he thinks this lad is some kind of pervert. As the story unravels, we realise that "Skunk" has a crush on her hunky schoolmaster "Mr. Kiernan" (Cillian Murphy) who in turn has a bit of a crush on "Kasia" (Zan Marjanovic). The toxicity of this small community is further augmented by an odious young bully and just goes to show how much damage lies can do when unchallenged or supported by societal assumptions. The timelines flash about the place a bit, so you need to concentrate as the threads begin to inter-twine, but as they do we are presented with a really strong performance from the young Laurence and a couple of sparing, but quite potent, efforts from both Kinnear and Emms - whose character assumes greater importance as this drama evolves. It's not an easy watch, and though not overly graphic it still hits the ground running and sustains a steady pace as these increasingly volatile characters struggle to find some sort of peace. True, maybe some of the plot-lines are a touch far-fetched and overly contrived to heighten the drama, but it's still well worth a watch as a glimpse of dysfunctional family life where emotions run high.
Parents feed eggs to their children. They do even when the children refuses. The children are sick and tired of the eggs. Now, they begin to think of a way to make eggs run out.
The story takes place in the Belgrade mental hospital on Guberevac during the WWI, where notable Serbian writer Petar Kočić spends his last years of life. The safety of mental hospital in a war-torn Belgrade is disrupted when the deputy military governor in occupied Belgrade, Kosta Herman, finds out that Kočić is in the hospital and decides to settle old scores with him.
A poor young man is finally able to achieve his dream of running a horse at the track, but when he starts becoming successful, he begins to lose sight of what mattered to him before.
A teenage boy and his mother are on the run. The father is violent and has a history of beating up his wife. They manage to get away from him and drive far away, until they arrive in a small town where they settle down. They rent a house from a nice man and soon they forget everything that has happened in the past, until the boy begins to have bad dreams of his father.
Young man comes home to get ready to take over the family company, only to find that his father has been corrupted by power. In addition, he falls for the daughter of one of his father's poverty-stricken workers.
Nineteen year old pioneer woman Marty has recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Widower Clark offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
Kaj is a stubborn man with a great deal of pride. The former chef lives in a council flat. He has wasted his life and is now on a council job training scheme for the long-term unemployed, where he refuses to let the foreman of the activation project boss him about. When Kaj's daughter, with whom he has not been in touch for nineteen years, moves into the same council estate on the run from her violent husband, a change comes over Kaj. His initial instinct is to avoid her, but by chance he ends up helping to look after Jonas, her six-year-old son. For the first time for years Kaj need not survive on his own devices. Now he has responsibilities and a family of his own.
The film tells the story Hung, who was loved by his family as a child and lived in the protective arms of his parents. But the more the boy grew up, the more people slandered him about his gender. Pressure from family, and arguments from neighbors and people, the boy decided to run away to fulfill his "dream" of being himself, finding the light on the lottery stage. On stage, Hung becomes a charming and beautiful actress. People call her Hong Hoa, not Hung. She fulfilled her dream: to sing, to be praised, to be admired. But somewhere, deep inside her, there is still a smoldering wound called "family" - an emptiness that can never be filled.
Weekend-dad Kim-Andre is trying hard to be the perfect father for his daughter Mina, but must deal with his mother when she steals the trump card of his - a newly renovated Ford Mustang.
A look at the lives of three generations of women. Monique and her daughter Sylvie run a brothel on the border of West Flanders and France. Eline, Sylvie's six-year-old daughter, is fascinated by the mysterious workplace of her mother and grandmother, but she is never allowed inside. A dramatic event turns their lives upside down and the family ties are put under pressure.