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Friends don't steal friends' identities, do they? While not quite the abomination that some critics have suggested it is, Identity Thief is a hard film to recommend to film fans looking for a comedy to cheer them up. Too long at just under two hours length, the makers appear to have dropped Melissa McCarthy in the middle of a film, built a load of questionable on going gags around her, and then thrown Jason Bateman in for the charm offensive. Then as the film runs out of steam at the mid-point, it gets caught in a vortex of contrivances and pseudo serious statements. It's a real hodge-podge of a script that does the actors no favours at all. A great premise is not fulfilled, sadly. Identity Thief only escapes bottom of the ladder status because fans of the two leads will find a modicum of enjoyment in their respective efforts. 5/10
Good watch, probably won't watch again, and can recommend. This actually reminds me a lot of "Bounty Hunter", but with distinct elements of "Guest House" and "The Hustle". It's honestly disturbing to me to see the anatomy of a sociopath laid out in a movie like this, but it does thoroughly example both what it is like to have your identity stolen and the kind of monsters that do that sort of thing. Jason Bateman and Melissa McCarthy are both top notch comedic actors, but some of the scenes were a little hammy, even for them. A lot of the movie sort of feels like a VERY long SNL sketch where people are going, "Wouldn't this be funny?" and someone always went, "Yeah, put that in, why not?". It's not that it's not good, but it could have been great.
Second part (despite the number 3 in the title) of the Lithuanian black comedy about the local police force.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
Newly-paroled former US Army ranger Cameron Poe is headed back to his wife, but must fly home aboard a prison transport flight dubbed "Jailbird" taking the “worst of the worst” prisoners, a group described as “pure predators”, to a new super-prison. Poe faces impossible odds when the transport plane is skyjacked mid-flight by the most vicious criminals in the country led by the mastermind — genius serial killer Cyrus "The Virus" Grissom, and backed by black militant Diamond Dog and psychopath Billy Bedlam.
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
Private eye Philip Marlowe and his bride move to a desert town, where he uncovers a land scheme.
Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
The Zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.
When timid bank clerk Stanley Ipkiss discovers a magical mask containing the spirit of the Norse god Loki, his entire life changes. While wearing the mask, Ipkiss becomes a supernatural playboy exuding charm and confidence which allows him to catch the eye of local nightclub singer Tina Carlyle. Unfortunately, under the mask's influence, Ipkiss also robs a bank, which angers junior crime lord Dorian Tyrell, whose goons get blamed for the heist.
The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.
