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At a secret monastery located in a rural area of Thailand, a music teacher is trying to help a young nun to be able to speak again. The nun's passion and sexuality clashing with her religious convictions have caused her to shut down.

On the eve of her cotillion ball, a young Black girl grapples with her queer identity and questions her purity.

A short film about a first crush. Dave gets to go on a camping trip with his former teacher, he believes something will happen. It does, but changes their lives forever.

"Babymetal: Live At Tokyo Dome" is the sixth live video release by BABYMETAL. Featuring two concerts, "Red Night" held on September 19th, 2016 and "Black Night" held on September 20th, 2016, at the Tokyo Dome

Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis's "Memoirs Of A Geeza" starring Elliot Warren and Tony Richardson; Joe Morris's "We Are Dancers" starring Hans Piesbergen and Simon Eckert; Zachary Ayotte's "My Dad Works The Night Shift" starring Victor Boudreault, Antoine L'Écuyer, and François Trudel; Loïc Hobi's "The Pier Man" starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury's "My Sweet Prince" starring Yodi Roodner; Abel Rubinstein's "Dungarees" starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson's "Clothes & Blow" starring David Menkin and Nancy Baldwin; George Dogaru's "A Normal Guy" starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood's "Pretty Boy" starring Orlando Norman.

Love Thing captures the emerging multicultural spirit and personal freedom of the late 1970s with an outrageous attitude and experimental style. A work in progress now finally completed it's the last American musical comedy from that era which can be viewed today as a prophetic satire. Through its provocative, entertaining storyline highlighted by song and dance, the movie answers the burning question of our time, "What happens after the marriage?

Ronit hopes to spend the only day she has with her son Ari when he comes back home after time away, but realizes he already made plans with his boyfriend. Although her attempts to approach his new world fail, she finds herself closer than ever when she takes care of new wounds.

Benjamin, a working class gay man living in Toronto, struggles to obtain expensive healthcare after being assaulted by a stranger.

Ulysses is a shy and effeminate boy who finds himself coping with new responsibilities as man of the house after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses' journey takes a turn for the better when he finds a vibrant transgender community.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

During the student crisis of 1968, Ines, an 18-year-old homosexual, is prevented from attending law school by her family, who believe that this is not the right course for a woman. This awakens in Inês a feeling of injustice, which leads her to accept Julio's invitation to join the high school students' association. The next day, we find out that the student association has been closed since they found a copy of the clandestine newspaper "Avante!" on the premises. The rectory then decides to expel suspicious students, starting a revolt in the high school and an ideological confrontation between the couple of Inês and Adelaide.