La península de los volcanes

A 1970s American elementary school program encouraging students to figure out for themselves the universal building blocks of human community — family, work, faith, etc. — inflamed political sensitivities so intensely it was shelved and forgotten. Archive footage of the documentary film series at the program's core, classroom exchanges, and the ensuing controversy frames larger issues of education, politics and ideology.

A coming-of-age documentary that follows a group of young filmmakers as they make their first feature film, Scuba.

On the Guajira peninsula in northern Columbia the old traditions of the indigenous Wayuu still hold sway. As soon as they begin menstruating, young women have to go and spend a year in a simple hut where only a few women are allowed to visit them. Contact with men is taboo. The grandmother is chiefly responsible for preparing the girl for her role as a woman during this period of seclusion. Pili is 12 years old when, for her grandmother's sake, she decides to follow this custom. But does she really know what she is taking on?

Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.

The correlation between social class and school performance is a major issue across the world. This miniseries is an attempt to go beyond ideological approaches of the problem. It is a pragmatic, scientific, and international exploration of education techniques. Two thirds of students will hold jobs that have not been invented yet and 47% of current jobs are expected to be replaced by machines.

A conversation between the director of this film, Carmen Castillo and Marcia Merino, AKA La Flaca Alejandra who was one of the collaborators of Pinochet's secret police (the DINA) after being tortured by them. It was Merino who betrayed Castillo, who lost her new born child after being tortured. Almost twenty years later, Carmen Castillo returns to Chile after her exile to film this documentary, during a time in which Marcia Merino, on the court of justice, decided to give the names of her old bosses who worked with her on the DINA.

Four precocious preteens perfect their lip-synching and runway walks in anticipation of the biggest drag performance of their lives at Montreal Pride, in this fierce and joyous celebration of acceptance and self-discovery.

Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.