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It seems unfair to even review a movie like this. After all, I didn’t find it to be particularly entertaining and I didn’t feel the adaptation from the book was done well. That usually would translate into a low rating for a film, right? But I don’t feel it is appropriate to pan a movie that was made 100 years ago. The film industry was in its infancy and indeed, the world was a different place. I would want to see a lot of the other silent movies before I even attempt a critical review. Lacking that, I will just make some observations about stuff I found interesting. This version begins showing a scene not in the book. In fact, we are ten minutes into the film before we get to where the book starts. It might have been done to establish the nature of Pollyanna and to show her father dying, an event not specifically described in the book. I didn’t quite buy into Pickford looking like a young girl, as others seem to have done. She has the body shape and size to play a child, but her face screams adult to me. That is odd, as some pictures of Mary Pickford do look rather young to me. Perhaps the make-up needed on film worked against the character’s age. I often think modern movies utilize actresses who are too beautiful to portray a plain woman, sometimes having her transform into a more beautiful lady. But oddly, I thought the Aunt Polly actress was too plain, so that when her hair was done up, there seemed to be no improvement to my eyes. That was weird. There are cute scenes here and there. I am guessing Pickford enjoyed physical humor. She leaps around like a young girl, and her face was expressive. It did jar me when she used the phrase “wife beater.” That didn’t seem like Pollyanna. I guess the script is also based on a play being performed at the time. Perhaps it came from that, which would be seen by more adults. This is an hour long, so they did the best they could developing the plot under such a time constraint. As I said, my rating is probably meaningless in this case. I would have rated it lower based only on how entertained I was, but perhaps higher if I knew more about the quality and production value of other silent movies of this era.
A New York stockbroker introduces a girlfriend to his buddy from out of town, then regrets it.
At the crook of a road leading to Success is the little hamlet of Sleepy Hollow; One day, the regular road is closed for repairs, and the detour forces traffic to pass through Sleepy Hollow on the way to Success. Passing through the town is Avarice and his beautiful bride Innocence who bestir the envy of the village blacksmith, Ambition. Following them along the road to Success, the smithy encounters a wishing tree which enables him to switch bodies with Avarice.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Two men share an odd friendship while they care for two women who are both in deep comas.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
