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Whilst the concept behind Revolver is intriguing, the handling is simply put, off. The pace of this film is glacially slow, very much at odd's with what should be a fast paced action film. Any action that does take place is minimal and crammed into the later half of the film. Worse still, character development feels stunted, so its not as if, there's much in the way of a human interest story to compensate for the lack of exposition. In summary, in my estimation, a promising idea, let down by a mostly lackadaisical script and handling. A pass from me.
A psychological thriller about a man who is sometimes controlled by his murder-and-mayhem-loving alter ego.
A detective's search for a local serial killer takes an unexpected turn when she unwittingly goes on a blind date with the killer himself.
Ayaka Goma works as a police sergeant. One day, a demonstration is held and a hostage situation occurs at Shinsekai Finance. Someone calls the Tokyo Metropolitan Police Department, demanding that Ayaka come to the demonstration site as a negotiator.
Mary Giordano is a bright, intelligent student who goes to a catholic school. She also has an addiction to mystery novels and detective magazines, which inspire her to do her own detective work. When she starts snooping around on the case of a murderer of teenage girls, it gets her in hot water with her mentor Detective Jerry Gunn. But it also starts a team up with police cadet Tony Campbell. The two work together to find the murderer. But the closer Mary gets to solving the murder, the more danger she puts herself in of being the next victim.
A female private detective goes undercover as a porno actress to find a millionaire's missing daughter.
Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.
Nagisa, the heroine, has the ability to “synch” with all the powerful emotions that linger in crime scenes. When this happens though, she blacks out. Even in her day-to-day life, she can hear people's evil intentions and true colors and senses their lies and deception. That is why she always wears headphones in order to shut out people's emotions. She works well with her colleagues at the "Red Spider Lily" (Higanbana) unit, who are all brutally honest acid-tongued women with no qualms about speaking their minds. "Red Spider Lily" is an eclectic unit that includes a science geek, a single mom, and a woman who grew up abroad. Seen by many as a department that's been taken off the main career track, "Red Spider Lily" turns out to be full of fabulous detectives!
An orphaned teenager forms an unlikely friendship with a detective. Together they investigate her mother's murder, and uncover the supernatural force that proves to be a threat to her family.
A Mumbai police officer's search for a missing teenage girl leads her to the depraved world of child trafficking. What follows is a cat-and-mouse game between the officer and a ruthless mafia kingpin.
Stumped by brutal sex-mutilation crimes, Detective Chris Coxon turns to police psychologist Sarah Scott for help. As their relationship evolves, he must deal with Scott's complicated personal history, a wrenching experience that forces him to challenge his most basic assumptions about morality and justice. At last the crimes are solved, but Coxon is forever changed by both the process and the unexpected answer.