بہشتِ زینب

Madiha Aijaz’s observational documentary on public libraries in Karachi, Pakistan, provides an entry point into present-day Karachi, where irredeemable changes feel imminent. While the libraries become a bastion for the literary tradition of Urdu, their frequent visitors lament the increasing dominance of English – a residual reminder of colonialism, partition and the ‘globalising’ present. Wrapped in quiet solitude, seated readers are shown hiding away from the hustle and bustle of urban life that can be seen outside.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

BBC The Natural World. In 2004, a team from the Planet Earth series captured the first ever film of a wild snow leopard in the mountains of Pakistan. For Nisar Malik, who led the expedition, these images sparked a passion that compelled him to return. With cameraman Mark Smith, he spent two years documenting the snow leopard's daily life, finally lifting the veil on the most elusive of all cats.

A documentary, using dramatization of fact, that examines the Battle of Verrières Ridge, where on July 25, 1944 and not long after D-Day, an inexperienced battalion of the Canadian Black Watch Regiment launched a doomed attack and was defeated with heavy casualties by veteran German SS troops. Part of "The Valour and the Horror" mini series.

What if you witness a revolution but things get worse? What if your homeland is in ruins with no signs of reconstruction? How do you cope? You can either get angry, sick, and depressed or just escape into memories of a golden but lost past. Four people, two revolutions, and the story of a destroyed Egyptian city.

In the late 1960s, with the triumph of bilingualism and biculturalism, New Brunswick's Université de Moncton became the setting for the awakening of Acadian nationalism after centuries of defeatism and resignation. Although 40% of the province's population spoke French, they had been unable to make their voices heard. The movement started with students-sit-ins, demonstrations against Parliament, run-ins with the police - and soon spread to a majority of Acadians. The film captures the behind-the-scenes action and the students' determination to bring about change. An invaluable document of the rebirth of a people.

German training film from World War II.

Bo Kata, loosely translated in English means hacked! That is the victory battle cry when kites are eliminated in raging sky duels, sometimes lasting hours. Filmed entirely in Lahore, Pakistan, over three continuous days, Bo Kata is a rare cinematic documentary treat, depicting uniquely the rooftop kite flyers of Lahore, who have been a traditional part of Pakistan's culture and heritage that has lasted for over 400 years. Their sport is now under threat from a complete ban, after a series of tragic fatalities involving children and motorcyclists, resulting in decapitations and dismemberment from illegal chemically coated strings used to fly the kites. The documentary highlights a population that is associated with the mysterious art of kite dueling amidst the political backdrop of an impending ban

Two screens of a graveyard, one during the day and one at night. The duality of everything that exists in the universe.

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.