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Den of Thieves 2 Pantera 2025 - Movies (Feb 26th)
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Heretic 2024 - Movies (Feb 25th)
Hellboy The Crooked Man 2024 - Movies (Feb 25th)
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Tribunal Justice - (Feb 27th)
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Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Live PD Presents- PD Cam - (Feb 27th)
Reacher - (Feb 27th)
INVINCIBLE - (Feb 27th)
Hollywood Squares - (Feb 27th)
Tipping Point - (Feb 27th)
The Challenge- All Stars - (Feb 27th)
All Elite Wrestling- Dynamite - (Feb 27th)
NOVA - (Feb 27th)
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When "Layla" (Bilal Hasna) dons the full drag regalia to perform at a corporate launch for some ready meal company and they pay her in vouchers, she isn't best pleased and so makes a speech annoying just about everyone in the room except the guy from the marketing company. He's "Max" (Louis Greatorex) and it's quite clear that there's a little chemistry between the two after a brief conversation on a stairwell. It's not long before they've hooked up and what's clear is that both are attracted to the other, but that both have their identification issues that might prove difficult for the other to reconcile. The question for each of them is the extent to which they can love each other and still be who they are, want or need to be. Now perhaps it's the old romantic in me, but I hated the ending. That may be, though, because it is truthful and didn't take any easy routes out of what is quite an interesting story of human nurture, nature and personality. The former man is from Surrey, but has Arab roots whilst "Max" is as white as chalk and way more conforming to the more standard British norms of dress and family. Both are openly gay so that's not the issue, it's much more about breaking free from those linear and societal boundaries and being true to themselves. If I'm honest, I didn't much care for the drag friends. They seemed determined that "Max" was always going to be an interloper, and most of us know that embryonic relationships - platonic or sexual - can often thrive or fail depending on the reaction existing friends provide. There's quite a bit of selfishness around here and that annoyed me a little. Both performances are honest, playful and at times quite visceral and though comparisons are bound to be made with "Femme" and/or "Unicorns" from last year, this has quite an unique take on issues that are specific to those two characters here, but needn't be looked at in isolation.
All the cookies that don't sell are banished into the dark cellar. Today's deportee came out into the world with a bang but wasn't bought by anyone, so it became a free goodie with the purchase of another item. The Melon Ball is distraught at the thought of no one buying it but Choco Ball and Choco Digest feel attracted to Melon Ball. In the end, Choco Ball challenges Choco Digest to a battle...
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
A time traveling trans woman turns back time to save the woman she spent the night with from death.
After the woman who raised him claims he's not her son, Richard searches for clues about his identity. Urged on by his mentor, Capt. Randolph Courtney, Richard focuses on Julia Trent Anders, a middle-aged actress who just might be his real mother. But soon, Richard begins to fall for Julia's stepdaughter. Amidst the upheaval, Richard schemes to return Julia to the stage - but he's in for another big surprise.
Charly is a homophobic man who discovers that Mario, his own father, is gay. Against his will, Charly have to deal with the tender relationship that Mario develops with his grandson Pedro.
When a young gay lawyer arrives on Fire Island to explore his sexuality, he becomes witness to a murder after being drugged. A stranger helps him to safety, but he soon discovers his saviour is friends with the killer.
When a reporter is killed under mysterious circumstances, the political cartoonist on his paper begins to investigate on his own. He finds that a vengeful industrialist may be trying to manipulate an international peace conference to stage a bombing attack on London.
Kristian, who is a transvestite, still lives at home with his mother Emma, because she loves him just the way he is. Life as a transvestite offers many humiliations from the outside world, but with his mom, Kristian feels that he can be himself. Until one day when Emma meets the alcoholic Søren, who does not have the same tolerance...
An ex-seminarian slash communist runs a hotel in Baguio. He then meets a handsome upcoming lawyer. A once-a-year trip to Baguio by the lawyer and conversations with the hotel owner develop into an affair which encompasses decades of socio-political changes in the country.
As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.