Telebühne - Andorra

While rehearsing on stage, a mime notices that he can create objects from his past and is therefore confronted with a long-repressed memory.

An ambitious understudy’s respect grows to obsession.

A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."

What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.

Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.

When her husband, an aspiring poet, gets his theatrical script rejected, Agnes Holck decides to take matters into her own hands. With the script in hand, she seeks out theatre director Viggo Reyner who takes an interest – not in the play, but in Agnes herself! However, his former favourite actress Lily Werner, doesn’t like being ignored. While the director is working on the seduction of Agnes, she cooks up some sinister revenge plans with fatal consequences. (Stumfilm.dk)

Quotations From a Ruined City was first performed as a workshop production for the Los Angeles Festival in a former shoe store on Hollywood Boulevard. The production subsequently moved to a vacant pajama factory in New York's meatpacking district and went on to be presented by multiple European presenters. It was Abdoh's final work. "Quotations from a Ruined City is a sort of apocalyptic follies: an evening of song, dance, poetry, nudity and torture set in a world whose center has clearly long ceased to hold. Created and directed by the gifted young theatrical cult artist Reza Abdoh, the work is a kaleidoscopic catalogue of images of decay and destruction that range through the centuries and around the globe."-New York Times, 1994.

"Minamata is the name of a fishing village in Japan," said the writer-director ("Peep Show," "Eva Peron," "Rusty Sat on a Hill One Dawn and Watched the Moon Go Down"), who wrote the piece with Mira-Lani Oglesby. "Chisso, a company that makes parts for plastic, dumped mercury waste into the water supply and the fishermen got sick. A high percentage of the villages depended on fish and fishing so their livelihoods dried up too. "The story of Minamata is just the departure point for the play," the writer said. "It's the ghost behind the play, the shadow over it. The piece is a meditation on beliefs, ways of thinking, how operatives in the system create a way of thinking that makes it possible to destroy life in order to improve it. There's a thesis that in order to progress you have to allow for destruction. No. You cannot buy into that way of thinking, because it's erroneous and hurtful."

This National Theatre Production was filmed for the National Theatre Archive in November 2022. ‘To be or not to be…’ Hamlet’s dad is dead. His uncle has taken over the kingdom and married Hamlet’s mum. The whole world feels like it’s turned upside down. A ghostly encounter reveals a dreadful deed has been done. Should Hamlet take revenge? ‘That is the question.’ Join us for this energetic and engaging retelling of Shakespeare’s most well-known tragedy.

A rustic comedy about a small-town bowling alley entrepreneur who learns that being scammed is not the end of the world.