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On paper, this ought to have been a belter. Andrew V. McLaglen being no stranger to grand scale cinema and a cast of Hollywood A-listers to deliver a story of wartime betrayal and courage. So what happened? Richard Burton dons a rather erratic German accent as the conspiring and rather hot-tempered sergeant "Steiner" who finds himself under the command of his own personal nemesis "Von Stransky" (Helmut Griem). Fortunately, for him, at the behest of his scheming general "Hofmann" (Curd Jürgens) he is despatched to try and make some sort of truce with the approaching allies at the height of the Wehrmacht's conspiracies to be rid of their Führer. Along the way he manages to help out American colonel "Rogers" (Robert Mitchum) but will that be enough to convince the sceptical "Gen. Webster" (Rod Steiger) that the approach isn't just a ploy to lure them into a trap, or buy more time, or both! Unfortunately, neither Burton not Mitchum are anywhere near their best here and though the director does his best to keep the film moving along with plenty of action and battle scenes, there are still too many flawed sub-plots, a weak and rather verbose script and multiple shallow characterisations to make the film flow well or engagingly. Steiger features much too sparingly to make much of a contribution and after about an hour I felt that I was watching an hybrid of half a dozen other, better, WWII adventures. I'm sure it was an useful payday for all concerned, but as a piece of cinema it's pretty disappointing.
A young woman seeks to expand her limited horizons, set against a backdrop of wartime London.
The love between Mateusz Krol, a Kashubian boy, and Marita von Krauss, a Prussian aristocrat in whose family home he is taken in when his mother dies, grows and matures thorough the years, while Kashubia, the northern Polish region where they live, suffers the consequences of the tragedies that will ravage Europe from the beginning of the 20th century until the end of the World War II.
The Battle of Peleliu was fought on the lovely Pacific island of that name by Japanese and American forces toward the end of the Pacific War. A work of fiction based on historical fact, this movie views the battle through the eyes of TAMARU, a 22-year-old soldier and aspiring cartoonist seeing his first combat. A chronicle of the “truth” as seen by a young man struggling to come to terms with war in an era when war was the norm.
From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and resistance fighters from Clermont-Ferrand. They comment on the nature, details and reasons for the collaboration, from anti-Semitism, xenophobia, and fear of Bolsheviks, to simple caution.
Lost at war, two soldiers struggle to find their moral grounding before their ultimate demise.
The story of the hero of the Soviet Union, Manshuk Mametova, machine-gunner of the 21st Guards Rifle Division of the 3rd shock army of the Kalinin Front, the guards sergeant in charge. The first woman awarded the title of Hero of the Soviet Union for bravery. The film recreates the past and shows a day of combat life Manshuk and her comrades, who took unequal battle with German tanks.
German Jewish Edgar Feuchtwanger was a carefree child from Munich, pampered by his parents and his nanny, when Adolf Hitler, the leader of the Nazi Party, moved into the building across the street in 1929.
Grandmother Maria, Sam and the riding instructor Kaan are trying together to keep Gut Kaltenbach running, which is in financial difficulties. The ambitious Isabell supports her, although she secretly pursues her own goals. The impulsive Ari comes to riding training in Kaltenbach, where she develops a special relationship with Windstorm, the eponymous horse of the film series, and she also makes friends with Mika. Mika and Ari try to save the estate and protect Windstorm from reckless horse trainer Thordur Thorvaldson.
Jake Rademacher reconnects with his brothers and soldiers he embedded with in Iraq. He creates a unique “then and now” journey into the toll of war and a never before seen look at war fighters and the veterans they become.
