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This film is yet another poor attempt at a Spotlight ripoff, and the primary reason it fails is that it takes itself too seriously. Unlike Spotlight, which focused on the journalism process without turning the journalists into heroes, this movie falls into the trap of hero-worship and overblown "gotcha" moments set to the backdrop of the Prince Andrew scandal. The storytelling in this movie focuses too much on elevating the journalists rather than the story they are uncovering. This approach detracts from the gravity of the subject matter and shifts the focus to the individuals rather than the issue at hand. The execution of the film is heavy-handed, with a tone that feels preachy and self-important. This undermines the potential impact of the story, as it becomes more about showcasing the journalists as crusaders rather than highlighting the importance of their findings. A more effective approach would have been to focus on the investigative process and let the story unfold naturally. By avoiding sensationalism and sticking to a realistic portrayal of journalism, the film could have achieved a more authentic and impactful narrative that could inform a mass audience. Overall, this film's attempt to spotlight journalism falls flat due to its overemphasis on heroics and dramatic flair. It misses the mark by failing to capture the essence of journalistic integrity and dedication that films like Spotlight managed so well. By focusing less on glorifying the journalists and more on the meticulous work they do, future films in this genre could avoid the pitfalls seen here and deliver more meaningful and resonant stories.
The revered chief of a news agency tries to maintain journalistic integrity as his bureau and a rival agency vie for viewers following a terrorist attack.
During the 18th century, German noblewoman Sophia Frederica, who would later become Catherine the Great, travels to Moscow to marry the dimwitted Grand Duke Peter, the heir to the Russian throne. Their arranged marriage proves to be loveless, and Catherine takes many lovers, including the handsome Count Alexei, and bears a son. When the unstable Peter eventually ascends to the throne, Catherine plots to oust him from power.
Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
American corporations are using the North American Free Trade Agreement by opening large maquiladoras right across the United States–Mexico border. The maquiladoras hire mostly Mexican women to work long hours for little money in order to produce mass quantity products. Lauren Adrian, an impassioned American news reporter for the Chicago Sentinel wants to be assigned to the Iraq front-lines to cover the war. Instead, her editor George Morgan assigns her to investigate a series of slayings involving young maquiladora factory women in a Mexican bordertown.
After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.
A misguided museum guard who loses his job and then tries to get it back at gunpoint is thrown into the fierce world of ratings-driven TV gone mad.
Pras wants to realize his dreams of having a significant life and career as a journalist, but Jakarta changes everything.
The Dance is a 1962 French comedy film directed by Norbert Carbonnaux and starring Jean-Pierre Cassel, Françoise Dorléac and Arletty. The film is based on the French comic strip 13 rue de l'Espoir.
Prince bon-vivant Levan Phantiashvili finds himself in a difficult financial situation. To make his life better he agrees to marry the merchant Adam Varakhidze’s daughter, Elo. The merchant is happy for this move opens the door in a high society for him until he finds out that Elo is not quite happy with his decision.