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An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

The documentary of Kill Bill Vol.2, and how it was made. This is a documentary found on the DVD of Kill Bill Vol. 2. It consists of interviews, behind-the-scenes footage, and clips of the movie.

Jason Bateman, Laura Linney and other cast members open up about the show's characters and creators, plus what they'll miss most.

Highlights Rajamouli’s influence on Indian and international cinema, with interviews and behind-the-scenes footage.

This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

The story of how Aurora Mardiganian (1901-94), a survivor of the Armenian genocide perpetrated by the Ottoman Empire (1915-17), became a Hollywood silent film star.

BTS Now was a series of travel photobooks and DVDs released by BTS. It features the members partaking of photoshoots around various locations in different countries for the annual photobook and a DVD with the behind the scenes of the photoshoots.

BTS Now was a series of travel photobooks and DVDs released by BTS. It features the members partaking of photoshoots around various locations in different countries for the annual photobook and a DVD with the behind the scenes of the photoshoots.

A collection of music videos and behind the scenes footage released to promote Kanye West's upcoming debut album, College Dropout. The compilation features the videos to the previously unreleased "Two Words", "Slow Jamz", "Through the Wire", "All Falls Down", the three versions of "Jesus Walks", and "The New Workout Plan", all previously unseen before its release.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.