ବୋହୂ ଆମ ବିଛୁଆତି

On the way to meet with an independent artist in the South, newlywed art dealer Madeleine is convinced by her husband, George, that they should stop to meet his family in North Carolina. Madeleine's affluent lifestyle clashes with the family, but she befriends George's wide-eyed and pregnant sister-in-law, Ashley, who is nearing her due date. Through the family, Madeleine gains greater insight into George's character.

Following both the death of her father-in-law and a divorce, Jesse, a New Yorker, returns to a small town to live with her now widowed mother-in-law. Jesse struggles to fit in with the local townsfolk who don’t welcome her with open arms to say the least. Jesse becomes acquainted with the local pastor, her widowed brother-in-law, falling in love with him, much to the dismay of the community. Things get even more complicated when her ex-husband comes calling, suspiciously trying to win her back. Between her love life and entangled in-laws, Jesse is tested as she seeks the answer to where she truly belongs.

Hail is worried because Seungha, a pretty and sexy daughter-in-law, looks like a woman these days. An open-minded way of walking around the house in short clothes without hesitation, showing aegyo, etc. It is becoming increasingly intolerable to the tsunami. Hearing the sound of his son Do-jin and Seung-ha having sex is also starting to get harder. One day, the tsunami was spent relaxing at an illegal massage parlor. He takes a nap, but Seung-ha appears and seduces himself to dream of having sex. Seungha gazes at the tsunami who wakes up after having a sweet dream.

After a worker kills a superior and commits suicide, each of his family members attempts to forge a path forward in life.

At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands?

Carrie Watts is living the twilight of her life trapped in an apartment in 1940s Houston, Texas with a controlling daughter-in-law and a hen-pecked son. Her fondest wish – just once before she dies – is to revisit Bountiful, the small Texas town of her youth which she still refers to as "home."

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

Willy, the son of baron Van Hergershuizen, finds himself disinherited after he marries an untitled girl. His wife decides to take action and applies for the job of the baron's housekeeper.

Horrified by the new girlfriends of their respective sons, three sisters-in-law – Clara, a socialite, Matis, a widowed professional, and Nena, a naive housewife – make an alliance to get rid of their undesirable daughters-in-law.

Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.

Tammy and husband David lead a quiet life in Winston-Salem, North Carolina, sharing a home with David’s parents, Bill and Venida. David and Bill work together and have always been closely involved in each other’s lives. When Bill begins to suspect that David is straying in his marriage, he is drawn into a relationship minefield, caught between wanting to protect his amicable daughter-in-law and trying to understand his impulsive son. As Bill confronts the limits of patriarchal influence, he is also forced to reckon with disheartening behavioral patterns that may be transcending generations.