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Alternative “family” structures have been around for some time now, and they’ve assumed a variety of forms, both domestically and overseas, as well as in their essential composition. And, in a number of cases, it has taken some trial and error to figure out what works best for these diverse groupings, depending on the various factors that characterize the individuals involved. Such is the case in this profile of a multi-ethnic, mostly LGBTQ+ household in Skopje, North Macedonia that struggles to find a harmonious footing when stricken by a tragedy involving a family matriarch (Alina Serban). Those left behind (Anamaria Marinca, Vladimir Tintor, Samson Selim) must figure out how to regroup, particularly when it comes to the care of a belligerent adolescent (Mia Mustafa) and her sweet, young, surprisingly worldly half-sister (Dzada Selim). It’s especially challenging for those in charge, given that they’re not terribly experienced at (nor overly interested in) the responsibility for such matters. They truly find themselves engaged in a crash course of “housekeeping for beginners,” one that finds them with one foot each in the middle class world of Skopje and in the impoverished world of nearby Shutka, an enclave of Roma (a.k.a. “Gypsy”) culture. Writer-director Goran Stolevski’s third feature outing provides an intriguing look at life in locales that have not received much cinematic attention, depicted through the eyes of an eclectic mix of characters living lives far different from what one typically finds in most conventional households. This domestic comedy-drama gets off to a somewhat rocky start, mainly due to a failure in identifying the nature of the relationships among the principals, and a narrative that can be rather episodic at times, with resolutions to its multiple story threads that feel incomplete or end abruptly (most notably in the final act). Viewers probably would have benefitted from some additional information about the ethnic backgrounds of the characters, too, given that many viewers are likely unfamiliar with the cultures involved. However, once the picture starts settling down and finding its rhythm, this release definitely gets stronger and more involving as it progresses, touching audiences profoundly, given that the situations that arise are often universal in nature, no matter what structure a family unit takes. “Housekeeping for Beginners” definitely has its strengths and touching moments; it’s a little disappointing, though, that there aren’t more of them. Greater clarification and consistency in the storytelling would have done this offering a world of good in its depiction of a world otherwise seldom seen.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.
In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.
A grief-stricken cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student. The two forlorn souls develop a special connection.
Francesco is a psychoanalyst grappling with three hopeless causes: a bookseller in love with a book thief, a lesbian hell-bent on becoming straight after a heartbreak, and an 18-year-old in a relationship with a much older married man. Unfortunately, these patients are also his three beloved daughters!
In Nazi Germany, the young, closeted Ben fears for his own safety as he learns that the world he lives in is about to become even more dangerous for him and his openly gay best friend.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.
Two high school friends, Caleb and Macon, are reunited after many years. During the tense reunion, Macon fights his tortured mind, wrestling with a dark secret that is the source of Caleb's greatest pain.
