近所の奥さんのパンチラを隠し撮りしてたら、H動画も撮らせてくれるってよ。母の寝てる横で近所の人妻とハメ撮りしちゃったぞ 未帆（26） 通野未帆

A discussion of infidelity told through confessional interviews of sex, marriage, and adultery. The film explores our hunger to find fulfillment through acts of committing to—and straying from—our partners and how the secrets we keep-and the lies we tell-in our search for love and desire reveal who we are. It is also the story of the director’s unexpected transformation, as she discovers her future partner through the process of making the film.

The Heart of Man is a timeless tale of a father's relentless pursuit of his son - interwoven with interviews of top thought-leaders on brokenness, identity, and shame.

A mockumentary about sex in America.

A documentary that follows a new piece of legislation on its way to Capitol Hill. The Internet Community Port Act, also known as CP80 or Community Port 80, asks that adult content be placed on separate channels (ports) on the Internet so that parents can keep it out of their homes and schools. What ensues is a ferocious debate between parents, pornographers, doctors, technologists, addicts, business owners and children. But one voice is missing: our political leaders.

Very short educational film made for exclusively educational purposes. The film illustrates male masturbation from the beginning to ejaculation. A production of MEDIA SERVICES HEALTH SCIENCES CENTER SUNY - STONY BROOK.

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film frame are highlighted in this intimate sexual episode with Tina Fraser. Artist Stephen Dwoskin presents a powerful, personal moment while maintaining a distance and resisting the viewer being subsumed into the action on screen.

Freedom of expression and sexual liberation might have defined the 1960s but by 1971 the British education system was far from ready for Dr Cole's explicit series A New Approach to Sex Education. Made as a teaching aid for use in schools an universities, the Growing Up was unprecedented in its depictions of erect penises, un-simulated masturbation and intercourse to describe the development of the human body and sexuality to students.

"Sticky" is everything your mother was too embarrassed to tell you about masturbation, in one stimulating documentary. Full of candid interviews from celebrated figures to everyday people, health care professionals, sex therapists, zoologists, anthropologists, and religious figures, this feature length doc answers age-old questions like: What is masturbation? Will it make me go blind? Is it "normal"? Is it wrong? And why are we so afraid to be caught in the act? In a world where confusion about sexuality remains at the root of so many societal problems - rape, sexual abuse, and the threat of sexually transmitted diseases - "Sticky" will help shatter misconceptions and myths surrounding this intimate aspect of human sexuality.

This documentary features candid studio conversations with people of diverse backgrounds from the Erika Lust community. They share personal experiences with self-pleasure, exploring why they masturbate, how their views have evolved, and what they were taught growing up.

In the lush fields of northern Belgium, as winter tightens its grip, the sheep of Eddy, Jeroen, and Johny become silent witnesses of a hidden drama when a wolf is driven to the edges of human lands in search of sustenance. With the three human protagonists doing anything within their power to patronize their rights of existence, this film stands up for the least heard voice in Belgium’s brand new wolf territory: that of the bleating sheep.

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)