Just One More

An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.

Two men share an odd friendship while they care for two women who are both in deep comas.

Despondent over a painful estrangement from his daughter, trainer Frankie Dunn isn't prepared for boxer Maggie Fitzgerald to enter his life. But Maggie's determined to go pro and to convince Dunn and his cohort to help her.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

A STRING OF BLUE BEADS is a slight little Christmas tale that was a pilot for an anthology series of short stories that never came to be. What makes this little film fascinating is it was one of the earliest color broadcasts on television and happily is one of the few early color productions for TV that can be seen in color now. Early color television productions seem to have had a limited color capability much like the early 1930's attempts at Technicolor. This actually adds to the charm of this little Christmas story giving in an "old time" feel.

Louie, an acclaimed writer, returns to his hometown after his father's death. Confronted with a host of people from his past, Louie is forced to reconcile with the stories he's stolen, misrepresented, or downright exploited for profit.

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

A small suburban town receives a visit from a castaway unfinished science experiment named Edward.

Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

A starry-eyed young girl journeys from the mountains of Appalachia to the stage at Dollywood, where she discovers the impact of African-Americans on the world of country music - while at the same time competing in a country music competition for kids, hosted by Dolly Parton herself.