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Heroes come in many forms, and, regrettably, they often go unrecognized for their efforts, which is why movies honoring them for their accomplishments can be so vitally important, particularly in attempts at correcting the oversight of being overlooked. However, when it comes to writer-director Todd Komarnicki’s cinematic tribute to Dietrich Bonhoeffer (1906-1945) (Jonas Dassler), a little-recognized German theologian who was sharply critical of the Nazis’ treatment of Jews and imprisoned dissidents during World War II, that noble goal goes largely unfulfilled. To be perfectly honest, this film is dreadfully dull, relying on a lot of preaching and protracted conversations to carry the narrative, not exactly what I would call engaging and compelling viewing. Indeed, if Bonhoeffer was supposedly so influential in spearheading German resistance against the Third Reich and criticism of Germany’s national church for its silence toward and complicity with Adolf Hitler’s policies, his initiatives, at least as portrayed here, aren’t particularly enlightening or instructive. To make matters worse, the picture’s flashback-oriented approach alternating between Bonhoeffer’s final days and events from his past lends little to telling his story, occasionally causing pivotal developments in his life to become more muddled than enlightening. Perhaps this production’s biggest sin, however, is its alleged tampering with the facts, including events that never took place, others whose content was significantly altered and still more for which there are only vague suggestions about their validity but for which substantial proof is lacking. The result is a release where viewers might easily come away from it not knowing what to believe given its fabrications, alterations and lack of coherence. That’s even apparent in the title, whose qualities attributed to the protagonist could be considered specious, at least when it comes to his supposed role as spy and assassin. To its credit, though, there are moments when Bonhoeffer’s outspoken views are presented through powerfully delivered statements (though the same could also readily be said of the words of some of his peers), but they’re too few and far between for my tastes. In addition, Bonhoeffer’s prolific career as a writer goes largely unnoticed, reducing his 34 volumes of work to little more than a footnote and a few passing references. It’s truly sad to see a film that gets things wrong as badly as this one does, especially when it comes to recognizing the work of someone who is said to have had as much impact as he did. Unfortunately, the oversights here continue.
Dietrich Bonhoeffer (Jonas Dassler) is a pacifist pastor who is furious at the acquiescence of the German church with the rise of the Naziism and the establishment of the puppet “Reichskirche”. Unlike many, though, he is prepared to use his position in the pulpit and preach to anyone who will listen of the folly of this plan. Needless to say, this doesn’t go down well and so he has to spend a lot of time out of the country whilst many of those left behind fall victim to persecution. That absence has it’s uses, though, as he hopes to galvanise opinion in both the USA and the UK - a task all the harder when his forebodings fall largely on deaf or unwilling ears. It’s when his colleagues come up with a plan to assassinate their Führer that the threads of his multi-timeline story and his life start to come together and we realise just how perilous his position is when he finally returns to his homeland. The is a true story of a man who dared to fight back in the face of overwhelming odds, indifference and fear - but sadly I just found Dassler didn’t, well, dazzle. Even at his most animated, his characterisation was underwhelming and contributory to this looking more like a high-end television movie rather than an enlightening story of courage and, to a certain extent, faith. The ensemble cast do well enough, but again there isn’t really an anchor role to give it the necessary gravitas either within the church, or amongst his allies. Even Churchill is presented as lacklustre. Bonhoeffer was a jazz lover and that does give us an excuse to indulge in the odd bit of toe-tapping, and the whole story is a savage indictment of complicity when the state gets up on it’s hind legs and mobilises the militia and the militant, but this disappointed, sorry.
New York cop Frank Serpico blows the whistle on the rampant corruption in the force only to have his comrades turn against him.
Four inconsequential young people and a dream at stake... in an attempt to better understand the steps that followed a tragedy, stories are told and memories are revisited: dive headfirst into the chaotic universe of the band Vicious Resonance.
A short found-footage film about an indie movie producer who becomes the subject of industry gossip. Made in 72 hours as part of the BizarroLand Film Debacle 2024.
A dramatic documentary film that deals with the Nazi rise to power in Germany in the 1930s and the development of the persecution of Jews up to the Holocaust. The film tells about the attitude of the Finnish government to the request for the handover of the Finnish Jews presented by Heinrich Himmler in the summer of 1942. The main focus of the film is the life of Jewish refugees in Finland in the years 1938-1942 and the attitude of the Finnish government to their handover in the fall of 1942.
A day in the life of a group of teens as they travel around New York City skating, drinking, smoking and deflowering virgins.
An FBI undercover agent infiltrates the mob and identifies more with the mafia life at the expense of his regular one.
This is the true story of Bobby Kent, a teen bully in the suburban town of Hollywood, Florida. Eventually, his best friend and girlfriend team up with the various other kids that are tired of getting beat up by him. Included in that group are the overweight Lisa Connelly. Together, seven teenagers lure Bobby out, deep into the swamp, promising him sex and drugs and when they get there, they beat him to death with baseball bats....
The true and infamous story of Australia's notorious criminal Mark 'Chopper' Read and his years of crime, interest in violence, drugs and prostitutes.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
Set in high school but styled like a classic film noir, this captivating mystery follows Brendan, a sharp, solitary student who avoids the usual high school cliques and chaos. His quiet life is shattered when his ex-girlfriend Emily is found dead in a storm drain—just two days after she made a panicked, cryptic call to him from a payphone. Determined to uncover the truth, Brendan teams up with the school’s resident genius, "Brain," and dives into the tangled social web of jocks, stoners, and alluring drama kids. As he digs deeper, Brendan uncovers a sinister underworld lurking beneath the surface—one far darker and more dangerous than he ever expected.
The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"