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This movie is a must see!! Stallone and Schwarzenegger may be aging but they still have it!! Definitely will still in our video library!!
This is a movie that had more or less escaped under my radar until I saw it mentioned in one of my news feeds as a Blu-ray giveaway a couple of days ago. Given that it had both Stallone and Schwarzenegger in it, it was really a must buy for me. The escape from prison plot theme is not exactly a new idea but must be considered a rather classical one. A lot of great books and movies have, if not been centered around that theme so at least had it as a major plot element. I would say that it is rather difficult to make a new movie on this theme these days without it feeling a bit stale. During my movie evening yesterday I was happy to find that this one succeeds quite well in not feeling stale. It also succeeds very well in pairing together Stallone and Schwarzenegger without making it deteriorate into some action hero parody. The basic plot is in one sense the classical hero gets framed, thrown into jail and has to escape. In another sense it is slightly unconventional in that our hero is not only an escape artist, or rather an escape specialist, but a legal one at that. Both Stallone and Schwarzenegger are doing a good job of their roles. We all know that these two actors are not exactly Shakespeare-material and is not really competing for any acting Oscars but they do deliver solid performance as male, though-guy, heroes. The bad guy at the prison is not too bad, in terms of performance, either. The one person I felt was a bit meh was the guy who set Breslin up. I also think they could have made more of a show in nailing that bastard in the end. Not that he did not get what he deserved but I missed a “I’m back” moment with a confrontation between Breslin and him. On the whole a quite enjoyable movie even though the prison break theme is not one of my favorite ones. Oh, and as usual Rotten Tomatoes “official” rating is pure nonsense. Due to their idiotic rating mechanism they flag it as rotten which it most certainly is not.
The Stallone/Schwarzenegger team-up we've deserved for 30 years. And it's a good thing that the part of the movie with the two of them together worked, because everything outside of that sucks. But _Escape Plan_ does work exclusively off the back of the two experiences we get to see of them in gaol. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Escape Plan strategises an unbelievable route that never manages to break out of its cliches. Stallone and Schwarzenegger. The duelling juggernauts of 80s action. An impenetrable maximum security facility monolithically stands in their way, preventing them from being reliable gym buddies and exercising those lucrative vein-inducing steroids. Will Arnie “be back”? Is Stallone still missing “Adriaaaaan!” Regardless of the nostalgic fuel that pumps through Håfström’s reunion, it’s unfortunately weighed down by an implausibly ridiculous plot that believes itself to be smarter than it actually is, diminishing the non-sensical fun in the process. Best get “back to da choppa!” ey Arnie? (Or governor of California...). An escape artist, hired independently to test maximum security facilities by breaking out of them, is setup by his own financial advisor and incarcerated in the most secure prison of them all. Soldiers, probably ex-military, walking around with black ‘V for Vendetta’ masks scaring up the prisoners who just want to sleep. Schwarzenegger delivering some excruciatingly brilliant one liners as per usual. “You fight like a vegetarian!”. Stallone, probably extremely interested and involved, looking generally fatigued and uncharismatic. Water hoses shoved down the throats of prisoners, whilst locked in steel boxes (crucial point...) with the brightest and hottest lamps beating down upon them. Palaeontologist Dr. Alan Grant recovering from the trauma of ‘Jurassic Park III’, by medically assisting America’s most dangerous criminals. And Vinnie “I’m the Juggernaut!” Jones putting the “cock” in “cockney”. Suffice to say, it’s a paradise. A beautiful holiday retreat. If only the plot was just as idyllic. Essentially, Escape Plan fundamentally works due to Stallone and Schwarzenegger’s chemistry. Divert away from this, and plot conveniences, holes and illogicality rapidly take precedent. Ray is described to be the ultimate escape artist, which is essentially a cop out description for his character to do literally anything and consider it to be objective fact. Example: using broken glasses, paper and other utensils to blindly craft an apparatus that aligns with the moon to determine the equatorial alignment of one’s current location. Perhaps this is a legitimate tool that can be created under a prison table. I don’t know. Nor do I care. My point is, due to the prison being “the most secure facility in existence”, the actual escape plan requires the audience to promptly suspend their disbelief. The brawls and action are few and far between, resulting in the remaining hour and half to be weirdly edited conversations where the camera manages to go through Stallone’s eye on multiple occasions. In fact the entire editing, from quick cuts to weird scene transitions that remind me of Microsoft PowerPoint fade out animations, decreased the quality of the general filmmaking. Not to mention the obvious green screen and dreadfully unnecessary moments of CGI. At the end of the gloomy day, you probably wanted to watch this just for Stallone and Schwarzenegger, in which case you’ll be satisfied. You just have to endure the mountainous implausibilities, overextended runtime and underwhelming conclusion. Had it been made thirty years ago, could’ve been good. So perhaps conducting your own escape plan could be better?
Arnold Schwarzenegger and slyvester Stallone do a good job in this one. He's like the Houdini of prison escapes. Decent movie and worth a watch.
Captain Nemo has built a fantastic submarine for his mission of revenge. He has traveled over 20,000 leagues in search of Charles Denver - a man who caused the death of Princess Daaker. Seeing what he had done, Denver took the daughter to his yacht and sailed away.
Universal Century 0087, Char Aznable has now become the leader of the AEUG. Scirocco, the man from Jupiter, schemes to seize control of the Titans. Haman, the Axis leader, is attempting to restore the Zabi family. Through politics and strategy, these three powers struggle for dominion over the Earth Sphere. The war builds to a deadly endgame around the space colony Gryps 2, which has been converted into a giant laser cannon. What destiny awaits Kamille at the end of the conflict? This is the final part of the Mobile Suit Zeta Gundam feature trilogy, which features enhanced animation and theme songs by GACKT.
Three coming of age boys always meet up at the local water tower every summer to hang out, soon do they figure out the dark history behind the town's water tower.
A thematic satire on the handling of the COVID-19 pandemic and told in a Twilight Zone narrative style, "The Man With The Cough" tells the story of a hypochondriac man who has a series of premonitions of illness and death that cause him to experience great fear for his life.
Two prisoners have the perfect escape plan but something unexpected happens that changes everything.
When a gunman opens fire on a crowded city bus in San Francisco, Detective Dave Evans is killed, along with the man he'd been following in relation to a murder. Evans' partner, Sgt. Jake Martin, becomes obsessed with solving the case.
A young couple on a weekend getaway inadvertently intrude on a criminal couple's remote hideout, triggering a violent battle for freedom. Escape attempts, shifts of power, relationship issues and a looming secret fuel this confrontational encounter.
Top agent Delilah dies in a risky mission against weapon dealer Kercharian. But she's revived with high-tech medicine and artificial body parts. As invincible superwoman she returns and continues her fight against Kercherian, who's newest deal includes Plutonium from Russia.
Simon Phoenix, a violent criminal cryogenically frozen in 1996, escapes during a parole hearing in 2032 in the utopia of San Angeles. Police are incapable of dealing with his violent ways and turn to his captor, who had also been cryogenically frozen after being wrongfully accused of killing 30 innocent people while apprehending Phoenix.
The life of labor lawyer and dedicated family man Robert Clayton Dean is turned upside down after a chance meeting with a college buddy while holiday shopping. Unbeknownst to Dean, he's just been burdened with a videotape of a congressman's assassination. Hot on the trail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious NSA official named Reynolds. Using satellite surveillance, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves while also framing him for murder. With the help of the mysterious Brill, he attempts to throw the NSA off his trail and prove his innocence.
When vengeful General Francis X. Hummel seizes control of Alcatraz Island and threatens to launch missiles loaded with deadly chemical weapons into San Francisco, only a young FBI chemical weapons expert and notorious Federal prisoner have the skills to penetrate the impregnable island fortress and take him down.