The Mountain That Had To Be Painted

A documentary that introduces FIT Hives, a student-run organization whose mission is to educate the FIT community about the importance of bees to the environment, the use of bee-derived resources in the industries related to the majors at FIT and its goal to put a beehive on the roof. FIT Hives is a recipient of an FIT Innovation Grant which also supported the making of this documentary.

Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.

David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.

With exclusive behind-the-scenes access, seldom-seen footage from the archives and a rare interview with Kirsty Wark, this is the story of a true visionary of British art.

From June 2021 to June 2022, Justin "Jastun" Bland records whatever that is in front of him. He presents an abstract montage of collected videos varying from onscreen recordings to filming special, intimate & mundane in-real-life moments. This short captures our daily routines in life and how we choose to spontaneously record them.

Memories have the power to haunt us forever, whether or not they actually happened. For Margot, the man named Dan who stalked and tormented her for three years of her life is as real as any criminal—even if he's the manifestation of her first serious schizophrenic episode. Margot proves incredible strength in her first-hand accounts of her road to healing. Through art and therapy, she found relief. Through relief, she found a chance at life.

In 2003, eight Rhode Islanders created a secret apartment inside a busy mall and lived there for four years, filming everything along the way. Far more than a prank, the secret apartment became a deeply meaningful place for all involved.

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.

Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.

The history of art in Ethiopia. The film emphasizes the styles, materials, etc. ofpaintings on walls and roofs of ancient churche

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.