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Slay The Nazarene! The Final Conflict is directed by Graham Baker and written by David Seltzer and Andrew Birkin. It stars Sam Neill, Rossano Brazzi, Don Gordon, Lisa Harrow, Barnaby Holm and Mason Adams. Music is by Jerry Goldsmith and cinematography by Phil Meheux and Robert Paynter. The third and final part of "The Omen Trilogy" sees adult Antichrist Damien Thorn (Neill) now as a massive mover in industry and about to shift towards politics. As he surges towards the top, with a biblical prophecy about to come true, the second coming of Christ and a religious order look to be the only hope for mankind. Although it's undeniably the weakest of the trilogy, this does however close things down without utter embarrassment. Bringing to attention Sam Neill as an actor to note, where he is splendidly sinister, we are however burdened with a too long running for what is a surprisingly bloodless affair. The dark shades in the narrative are strong enough to keep us hooked in (yikes, infanticide), but there's too many unanswered questions and ignorance of continuity requirements from the previous two films. While it ends on a hopelessly twee religious Christmas card crescendo. Ultimately it's more a case of being one for fans of the series only, where the story reaches the conclusion for those who began the journey back in 1976. For casual observers, though, the lethargic nature of this particular beast is likely to bore and grate. 6/10
Sam Neill was great, even with some of the cheesier dialogue, as Damien. Feels a bit of an underwhelming conclusion to a trilogy but still was entertaining in a shocking way, going places not many films go... **3.0/5**
I am not much of a fan of Sam Neill at the best of times, and he really did not possess the skills to be menacing at all here. Still, this is way better than the second in the trilogy. Now running his huge "Thorn" conglomerate, "Damien" sets out to thwart the newly born Nazarine baby whom, together with the sacred daggers, could still stop him becoming ruler of the world. In true Herodian style, he tries to make sure all boys born between midnight and 6 am on the fateful day die; but when he discovers that the true bairn lives much closer to home, he must get his own hands dirty. It's very much a hybrid of the first one this and it's too long, but it's nice to see Rossano Brazzi ("Barefoot Contessa" (1954) and "Italian Job" (1969) on screen again, and it does move along reasonably quickly to an ending that given it's called "The Final Conflict" really doesn't leave too much to our imagination. It's not great, but it's not rubbish either...
In Moscow, the priest Owen hires a team to guide him in the underworld to find his friend Sergei that is missing while researching the legend about the existence of demons and an entrance to hell beneath the city.
James Reese has a good job as an ambassador's aid in France, but his real passion is a side gig—working in a minor role in the CIA. He would love to be a full-fledged agent and can't believe his luck when he lands an assignment with Charlie Wax. Trigger-happy Charlie soon has James crying for his desk job, but when he learns that the same guys they're trying to catch are after him, James realises that Charlie may be his only hope of survival.
Sutekh, the dark pharaoh from another dimension, sends his own puppet, Totem, to continue his quest to kill Rick and steal the magic which animates the puppets.
Ellen receives an exotic mask by mistake and begins to have waking nightmares and hallucinations. Her husband and doctors believe she is a paranoid schizophrenic and take her to a psychiatric ward. On the way to the hospital the car breaks down, her husband rushes off to get gas, and the Nightmare Man appears. Ellen escapes and stumbles upon a country house where two young couples are spending the weekend. They do not know if the killer is real or just a figment of Ellen's tortured mind nor if the killer is outside or already inside the house.
Inspired by an infamous online video clip of a son beating his mother, a television crew from Belgrade comes to a remote Serbian village to shoot a report on violence against women. Inquiring with the locals about the protagonists of the video, they encounter a local expert on supernatural phenomena and learn about a ritual of summoning an ancient demon, naprata. Wanting to capture the first authentic footage of something otherworldly, they change their plans. Excited by the prospective success of the recording, they defy the old saying that "it's better to believe than to be convinced."
Driving through the nocturnal streets of London on the eve of her 30th birthday, a night bus driver discovers a supernatural entity who has boarded her vehicle, and threatens to stay.
London, 1761. St. Mary's of Bethlehem, a sinister madhouse, is visited by wealthy people who enjoy watching the patients confined there as if they were caged animals. Nell Bowen, one of the visitors, is horrified by the deplorable living conditions of the unfortunate inhabitants of this godforsaken place, better known as Bedlam.
Set during World War II, a German army garrison is sent to guard a mountain pass in a village in Romania's Carpathian mountains and sets up barracks in an ancient stone fortress. Two of the soldiers unwittingly release a mysterious entity that kills or corrupts those within its influence, drawing the attention of a Gestapo commander, a Jewish scholar and a mysterious traveller.
The story of British serial killer John Christie, who committed most or all of his crimes in the titular terraced house, and the miscarriage of justice involving Timothy Evans.
A young couple inherits an old mansion inhabited by small demon-like creatures who are determined to make the wife one of their own.
In 1815 a monk, Tomas Alcala, unwittingly unleashes two female succubi, Munkar and Nakir, upon an unsuspecting 21st century. He is chosen by God to travel through the centuries and stop the demons' rampage.