志愿军：雄兵出击

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.

Two North Korean soldiers are killed in the border area between North and South Korea, prompting an investigation by a neutral body. The sergeant is the shooter, but the lead investigator, a Swiss-Korean woman, receives differing accounts from the two sides.

A middle-aged woman in Busan searches for the son she lost in Gilsodom during the Korean War.

When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.

Out of fourteen ministers taken away by the communist troop, only two come back alive. The mystery behind their survival is at the issue here. Told through one of the survivor's testimony, depicts images of men troubled between the war and the religion. Although laden with anti-Communist notions from the 60's military regime.

The film depicts a romance set against the backdrop of the Korean War.

Gul is a famous singer, married to Captain Engin, who has studied law. Engin goes to Korea during the war. One day Gul is told that he is dead. Her violinist, Cemil fancies her. One day Gul meets Engin again, yet Cemil continues molesting her. Engin takes his daughter while Gul gives becomes an alcoholic and is miserable. Engin learns about her condition and decides to go to her but in a car accident he becomes blind. Gul starts to work in their house under a false name, Seher. In the meantime she gives piano lessons to their daughter Oya. Engin regains his eyesight after a surgery. Cemil attempts to rape Oya, but Gul reaches in time, saves Oya and kills Cemil. Oya finds out that Gul is her mother and asks Engin to defend her in court. A happy future awaits all three.

Following the tradition of military service in her family, Alene Duerk enlisted as a Navy nurse in 1943. During her eventful 32 year career, she served in WWII on a hospital ship in the Sea of Japan, and trained others in the Korean War. She became the Director of the Navy Nursing Corps during the Vietnam War before finally attaining the rank of Admiral in the U.S. Navy. Despite having no other women as mentors (or peers), Admiral Duerk always looked for challenging opportunities that women had not previously held. Her consistently high level of performance led to her ultimate rise to become the first woman Admiral.

In this dynamic and dramatic short film, an African American veteran takes us on an extraordinary journey through his life. From a chance visit to the Pentagon, to growing up in a vibrant integrated neighborhood, his story is one of resilience and inspiration. Fueled by the determination to seize educational opportunities, he enlists just in time to experience the racial divisions of his era before Truman desegregates the military. Thrust into the brutality of the Korean War, the weight of combat becomes an indelible part of his soul. Returning home, he embarks on a new path as an architect and discovers unexpected connections in far-off Pakistan. As his family expands, his sons reflect on the man who raised them and the legacy he instilled. This film unearths the essence of the Black experience in the early 20th century, paints a vivid portrait of the Chosin Reservoir, and unravels the intricate tapestry of race, family, and personal growth.

The film exposes the atrocities of war through the eyes of two children who are stranded in the DMZ after the end of the Korean War. The DMZ, strewn with abandoned tanks, dead bodies, land mines, and unexploded shells, is an exceedingly dangerous place for children. But what most endangers them in the end are not weapons but people.

A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)