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INT. HOLIDAY HORRORS - NIGHT Tara, Em and Skye have all come to the party, and party HARD. The story consists of these three friends on holiday that are down to fuck; Tara, in particular, will be her first time. This coming-of-age story is entirely a downer, but with some of the most exciting dance and party scenes with music that goes hard, it's impossible to look away. With Em and Skye, Tara has an Angel and Devil on her shoulders telling her what to do, think and feel. Badger, her love interest, starts as a rave-head looking to bang but grows into a compassionate friend amongst these horny young adults. Hats off to the performances of Tara Mia McKenna-Bruce and Badger Shaun Thomas and the wicked soundtrack. FADE OUT.
I think any parent of a late-teenage child will be mortified at what goes on when three girls head off to Heraklion in search of sun, sea and sex. They arrive full of beans - determined too have a good time and to get laid. We quickly learn that "Tara" (Mia McKenna-Bruce) has yet to experience that, and she is keen to tick that particular event from her bucket list. Together with pals "Skye" (Lara Peake) and "Em" (Enva Lewis) they hook up with the folks whose balcony is next door. "Tara" takes a bit of a shine to tattooed, van driver, "Badger" (Shaun Thomas) who is there with his friends "Paddy" (Samuel Bottomley) and "Paige" (Laura Ambler). It's on their third night that the film stops being a video-diary of hedonistic behaviour as her friend "Badger" gets blown away by a poolside experience and she finds herself on her own, then on the beach with... What now ensues begin the elements that provides the crux of the point of the film. When is what we want not what we want, when does yes not really mean yes - or it means yes because you just want to get something over with, or yes because you are just curious, or yes because you are too stoked up to think anything through - and are in the arms of a charismatic person? This isn't a violent film in any graphic sense, but it does have quite an emotionally potent impact for a while as the very much on-form McKenna-Bruce juggles her outward, bouncy and lively persona, with a young woman who is still very much growing up - and vulnerable. I didn't love the last twenty minutes - they robbed the film of the much of the ambiguity that hitherto had made it poignant and a talking point. At this point the behaviour becomes just plain wrong and odious - before they all head home. This is a story about a girl, but it could just as easily be about a boy - under self and peer imposed pressures to perform/conform unaware of the longer-term consequences of sand getting everywhere. Snag for me is that the film is just too much of a fly-on-the-wall documentary for the most part. We have to wait too long before the story starts to make it's point effectively, and then I think it rather rushes and compromises the message. It's still worth a watch, though - and McKenna-Bruce is very confident and impressive.
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/how-to-have-sex-review-a-thought-provoking-debut/ "How to Have Sex lives up to high expectations, offering a thought-provoking exploration of consent, societal complicity with rape, and adolescent struggles. Mia McKenna-Bruce's breakthrough performance authentically captures the protagonist's profound transformation as Molly Manning Walker boldly leaves pivotal conversations unspoken, mirroring society's avoidance of uncomfortable truths. Technically impressive, the haunting sound mixing enhances the narrative complexity, seamlessly fitting the thematic atmosphere. An urgent call to viewers to reflect on their own behaviors or lack thereof." Rating: B+
Classic American Pie setup of a bunch of youngsters on a mission to lose their virginity, except set in reality where the drug and alcohol fueled antics of people whose brains are still developing is more horrific than comedic. Well acted and believable characters, but I just didn't find it all that compelling. Maybe because the plot points are all too common, both in film and reality.
It’s truly disappointing when a film tackles a serious subject but mishandles the execution of the story associated with it. Such is the case with writer-director Molly Manning Walker’s debut feature about the troubling ramifications associated with undercooked decisions about adolescent sex. When a trio of British teens (Mia McKenna-Bruce, Lara Peake, Enva Lewis) embarks on a spring break-style vacation to the resort town of Malia on the island of Crete, they anticipate a raucous, fun-filled time of drinking, dancing and sexual hedonism. The last of those goals is especially important to Tara (McKenna-Bruce), the lone virgin in the group, who’s anxious to cross the threshold of becoming a woman. But, as she pursues the fulfillment of that objective, she finds the decision fraught with more complications than she anticipated, some of which weigh heavily upon her as she seeks to sort them out. That’s understandable, too, given the profound nature of this rite of passage. Unfortunately, that conundrum is couched in a narrative that’s fundamentally implausible. For starters, what parent in their right mind would give their minor child permission to go on such an unchaperoned journey as this, one that’s easily bound to be looked on as an exercise in reckless abandon? And then there’s the plot, which is riddled with clichés and predictability, telling a story that’s more than a little familiar. In fleshing out this trite narrative, the picture is filled with endless footage of screaming, unbalanced partygoers imbibing to excess, singing karaoke off-key and falling over when the night’s over. It’s also difficult to understand much of what the characters say, given their unruly drunken behavior and thick cockney accents, making them look and sound like a mob of rowdy, inarticulate soccer hooligans. Despite the gravity of the topic involved here, it’s hard to take this release seriously – and to maintain interest in the story and its characters – as the film unfolds. It’s even more puzzling how this important but shopworn material managed to captivate so many during the 2023 awards season with the honors and nominations it received at the Cannes Film Festival and in the BAFTA Awards competition. Had this offering been a little less obvious, it may have made its point more effectively, but there’s little here that we haven’t already seen many times before, weakening the significant message it’s seeking to convey.
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
Four best friends (Tibby, Lena, Carmen & Bridget) who buy a mysterious pair of pants that fits each of them, despite their differing sizes, and makes whoever wears them feel fabulous. When faced with the prospect of spending their first summer apart, the pals decide they'll swap the pants so that each girl in turn can enjoy the magic.
The radical true story behind three teenage surfers from Venice Beach, California, who took skateboarding to the extreme and changed the world of sports forever. Stacy Peralta, Tony Alva and Jay Adams are the Z-Boys, a bunch of nobodies until they create a new style of skateboarding that becomes a worldwide phenomenon. But when their hobby becomes a business, the success shreds their friendship.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.
Kevin, an intelligent guy helps out Maxwell to improve his reading skills. In return, Kevin wants Maxwell to take him out places since he is not authorized to go out. Being the social outcasts of the town, Kevin and Maxwell come to realize that they are similar to each other and accept that they are "freaks" and nothing will stop them.
The strong bond between two brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.
Isa and Marie bond while working in a French sweatshop and soon begin sharing an apartment that Marie is watching for a hospitalized mother and daughter. Marie, hoping to avoid a life of struggle and poverty, takes up with Chriss, a nightclub owner whose most attractive asset is his money. Isa recognizes the ultimate futility of the relationship and tries to keep Marie away from him, but her interference puts their friendship at risk.
A 16-year-old girl visits her gay half-brother and ends up seducing his boyfriend, thus wreaking havoc on all of their lives.
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.
A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.