Il museo degli orrori di Dario Argento

Regular opening times do not apply as we accompany Sir David Attenborough on an after-hours journey around London’s Natural History Museum, one of his favourite haunts. The museum's various exhibits come to life, including dinosaurs, reptiles and creatures from the ice age.

Father Gabriele Amorth, Chief Exorcist of the Vatican, investigates a young boy's terrifying possession and ends up uncovering a centuries-old conspiracy the Vatican has desperately tried to keep hidden.

A short documentary covering the conclave and election of Pope Pius XII.

Williamstown, Kentucky, is home to the Ark Encounter – a “life-size” creationist museum filled with all of the creatures that traveled in Noah's Ark, including dinosaurs. With incredible access to the park leading up to its opening, the filmmakers expose the larger system behind the creationist movement, piecing together the many factors that have led to the museum presenting its information as historical fact, and the people who are fighting to set the scientific record straight. Amid a climate of science denial and a well-funded corporate behemoth, three Kentuckians (a local geologist, an ex-creationist, and an atheist activist) try their best to challenge the movement that is taking over their home state. Meanwhile, fervent believers work diligently to create the lifelike animatronics that will be on display in the Ark.

I Ramones is a half-hour of concert footage captured in Rome in 1980, just after the release of the Phil Spector-produced album End of the Century. Shot on film, it laid forgotten in the vaults of an Italian television station for two decades after its one-time broadcast.

For centuries, a secret Order of priests has existed within the Church. A renegade priest, Father Alex Bernier, is sent to Rome to investigate the mysterious death of one of the Order's most revered members. Following a series of strangely similar killings, Bernier launches an investigation that forces him to confront unimaginable evil.

A homicide detective teams up with an evolutionary biologist to hunt a giant creature that is killing people in a Chicago museum.

Rousseau's first full-length feature, and one of the best documentaries/experimental films of the past few decades, sprung equally from Robert Bresson, Michael Snow, and Jean-Marie Straub (who has called Rousseau one of the three best working artists in modern Europe). Again hard places played against drifting sounds from unseen sites beyond the image; the images and sounds, repeated, become inflections of each other. But this time there are historical inflections; Rousseau's film, like Straub's, takes place in a sort of meta-history as characters and ancient sites each become products of outside light and shadow.

Edward Carnby is a private investigator specializing in unexplainable supernatural phenomena. His cases delve into the dark corners of the world, searching for truth in the occult remnants of ancient civilizations. Now, the greatest mystery of his past is about to become the most dangerous case he has ever faced.

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

After their car breaks down, a group of young travelers find themselves stranded at a roadside museum run by the mysterious Mr. Slausen and populated by his collection of supernatural mannequins