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Coming out stories have become a staple of LGBTQ+ cinema over the years, and, through the years, these offerings have increasingly come to distinguish themselves by incorporating greater and more specific details about the circumstances under which these tales unfold. Adding such context has significantly helped these films establish themselves as stories that go beyond being works of fundamentally basic gay-themed cinema. However, by including these additional narrative elements, it’s become incumbent on the creators of these pictures to seek to harmoniously integrate these supplemental aspects into their stories to make them more complete offerings. Such appears to have been the intent behind director Leiv Igor Devold’s third feature outing, the story of a closeted laborer (Hubert Milkowski) who leaves his native Poland to take a job in Norway, hoping that he’ll find a more tolerant way of life compared to the bigoted attitudes prevalent in his homeland. Upon arrival, however, he finds adjustment difficult, partly because he’s unaccustomed to his newfound freedom and partly because of other challenges faced by immigrant workers, such as the bald-faced disrespect often inflicted on them, issues related to the difficulty involved in union organizing and seeking ways to balance his life in Norway with that of relatives back in Poland. All of these story threads have merit, too, but this release struggles to find an effective degree of integration, prompting the narrative to frequently wander as if lost in the Scandinavian woods. That’s unfortunate, given that all the makings of an engaging story are present here, but they never quite gel into a cohesive whole, leaving viewers wondering exactly what the filmmaker and script writers were ultimately going for. Granted, the film shines a bright light on the widely held illusion of a “Norwegian dream,” one that sadly seems to mirror its equally illusory American counterpart, but, that consideration aside, this tale ultimately raises more questions than it answers, leaving viewers as unsatisfied as its disillusioned protagonist. Indeed, staying put might not be the wisest decision for someone in need of making a change, but then an alleged panacea might not be the answer either. As ambitious as it might be to try to convey that notion cinematically, some things just don’t work out in the end, as this film illustrates.
Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.
Based on Irish poet Brendan Behan's experiences in a reform school in 1942. A 16 year-old Irish republican terrorist arrives on the ferry at Liverpool and is arrested for possession of explosives. He is imprisoned in a Borstal in East Anglia, where he is forced to live with his would-be enemies, an experience that profoundly changes his life.
Mark, a new and inexperienced rugby club member, finds himself drawn to Warren, a seasoned first team player. When a series of happenstances at an away fixture lead to a drunken encounter, Mark and Warren unwittingly embark on a romantic affair they struggle to hide from their partners and teammates.
Santuaryo is a movie that centers on the unfolding narration of a young man named Archie (Basti Romero). Archie went looking for a lost treasure when he came into the possession of an ancient map left by an old adventurer. His journey left him battered and cloudy with memories as he was found drifting on the ocean and later rescued by island fishermen. When his long time lover, William (Will Sandejas) arrives at his side, he is forced to painfully recall what happened to him and describes how he crossed paths with a group of boys looking for the same treasure. In the end, Archie realizes what is most valuable in life and it is in his relationship with William that he finds his greatest fortune. Panoramic and provoking. Santuaryo is ultimately a hypothesis about the behavioral mutations of a group of boys when faced with desperate circumstances.
Three gay sons are called back by their estranged and terminally ill father and given an offer they can't refuse: a ₱300 million inheritance in exchange for each of them giving him a grandchild.
When a talented new arrival begins using the local boxing club, Paris, a skilled fighter, is forced into an unexpected struggle with himself. A film about vulnerability in a hyper-masculine world that doesn't allow for it.
Caught between the traditions of his upbringing in rural Indonesia and his idealization of Western freedom, a teenager struggles with the expectations of imminent manhood.
Pedro gets home at dawn. Before the young boy falls asleep, his lonely mother drags him to the beach.
One day, high school freshman Minzy finds a photo of herself changing clothes in the school locker room. Class leader Hyejin, who is not close to minzy, points out that the new teacher is the suspect to her. Minzy and Hyejin collect evidences to prove that the teacher takes pictures of high school girls secretly. When Minzy and Hyejin report the teacher's behavior to another teacher, Minzy realizes something unexpected.
Five best friends in their late 20's discover new truths about themselves and the friendships they thought would last forever.