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Ably stitched together using hand-held, mobile phone and other discreetly shot footage, this documentary tells of people desperate to flee the poverty and oppression they face living in North Korea. It principally follows one particular family who must travel, at great peril to themselves, their guides and "brokers" across the Yalu river into China before continuing through Vietnam, Laos and hopefully across the Mekong into the safety of Thailand. Along the way, though, we are also introduced to other people with equally horrendous stories to tell of family stuck in a nation where malnutrition is rife, clean water is scarce and you are even expected to provide your own poo to the government for use as fertiliser! You must regularly dust your obligatorily hung photos of the "Dear Leader" else you're in for a severe beating... Indeed, for much of this film of all that's dystopian about life there, you could be forgiven for thinking it was all a figment in the mind of some fiction writer - except, I doubt they could make it up! There's a strong testament to the perseverance and resilience of the travellers - young and old - as they struggle with the fear and the jungle to make good their escape. What we see here is that, clearly, this is no walk in the park and it seems to me that many more don't make it than do - and that those who did were shocked by the false messages being conveyed to the outside world by their erstwhile leaders. The intimate nature of the photography and the simple evocative narrative work well here, too, and by midway through I genuinely felt invested in the survival and prosperity of these fundamentally decent people who were just "born in the wrong country"
In today’s world, it’s almost unfathomable that there are places that exist on this planet that operate on the principles of unbridled cruelty, deliberate deception and mass brainwashing, with even the slightest of infractions capable of leading to banishment to remote gulags, brutal beatings and even savage public executions. However, such are the conditions of everyday life in North Korea, a paranoid, ruthless regime that doesn’t hesitate to inflict such indignities on its population and deprive residents of knowledge of anything beyond its borders. In a United Nations human rights report, the unthinkable tactics employed here have been described as being on par with those that were used in Nazi Germany. So it’s no wonder there are many who want to escape this harsh reality – that is, at least among those who are able to see beyond the artifice of the false utopian picture that officials have painted of their sorrowful nation. Getting out is far from easy, however, a harrowing venture that often requires defectors to flee northward to China and then maneuver through the challenging terrain of several neighboring Asian countries rather than simply crossing into nearby democratic South Korea, a sanctuary walled off by a de facto combat zone boobytrapped with countless land mines. Seeing what refugees must endure is the aim of documentarian Madeleine Gavin’s latest offering, a compilation of defector stories, including those who have succeeded in escaping and those attempting to do so. The latter are compellingly filmed with firsthand, on-the-ground footage, with no reenactments, showing in detail the ordeals they must go through to make their flights to freedom, sometimes successful, sometimes not. In the process, the film also provides audiences with a concise yet comprehensive history of how North Korea reached this point while revealing some little-known troubling secrets about everyday life in this mysterious land, many of which most outsiders have probably never heard of, let alone seen. Because of this, some of the picture’s imagery may be considered quite disturbing, especially for sensitive viewers, so those who are easily upset by such troubling visuals should take note. Nevertheless, this BAFTA Award-nominated release is an important piece of filmmaking that those outside this inscrutable enclave should know about – and hope that the world can help to overcome.
After twenty years in power, Vladimir Putin continues to implement his geopolitical strategy with Russia’s comeback on the big stage of world politics. He already announced his ambitions in 2007 – and still, it seems like the western governments were hit completely unprepared. What is behind this repeat of the Cold War?
A Southern Indiana man endures a fatal night of torture after being arrested for a routine traffic stop.
Monique and Michel Pinçon-Charlot are a couple of French sociologists, famous for their work on the uber-rich. They have been in love for more than fifty years, and they enjoy a comfortable retirement in their lovely home in the Paris suburbs. They could live a quiet life, but how do you get some rest when there is capitalism to fight against?
Within a few months, the Kutupalong refugee camp has become the biggest in the world. Out of sight, 700,000 people of the Rohingya Muslim minority fled Myanmar in 2017 to escape genocide and seek asylum in Bangladesh. Prisoners of a major yet little publicized humanitarian crisis, Kalam, Mohammad, Montas and other exiles want to make their voice heard. Between poetry and nightmares, food distribution and soccer games, they testify to their daily realities and the ghosts of their past memories. Around them, the spectre of wandering, waiting, disappearing. In this place almost out of space and time, is it still possible to exist?
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
A journey through several countries to find those who really know Kim Jong-un, North Korea's leader, in an attempt to profile a contradictory dictator who seems to rule his nation with both disturbing benevolence and cold cruelty while being worshipped as a living god by his subjects in exalted displays of ridiculous fanaticism.
It’s October 10 2020 and Kim Jong-un presents the largest mobile rocket on Earth. Jippe Liefbroer, Interaction Design student, sees the rocket and thinks: it can be bigger. For his graduation project he built 'Kimmi's worst nightmare', a 31 meter long rocket. That is 1 meter longer than Kim Jung-un's.
Is it possible to have fun in Pyongyang? Can one be joyful in the Democratic People’s Republic of Korea? If so, who can? Everyone? Doing what? Why does Kim Jong-un bet on amusement parks, skis trails, and tourism? This film allows to go beyond mass parades and recurring missile crisis, to meet the people of North Korean “Hermit Kingdom”. The authors have been there dozen times, like amateur anthropologists, filming during eight years parties and harvests, factories and singing contests, Pyongyang and the countryside – and interviewing North Korean people.
Amany Al-Ali stands out as one of Syria's few female cartoonists, residing in her father's home in Idlib, the last city unconquered by Assad's forces. Like her remaining neighbours she's submitted to relentless Russian airstrikes and caught between advancing troops and extremist groups. Despite acclaim for her art, she faces threats, condemnation, and degradation, causing her to contemplate leaving. Ironically, her artwork has graced galleries in France and Italy but never received exposure within Syria's borders. The film captures her endeavor to organize her inaugural exhibition in Idlib. This experience compels her to confront the harsh realities of a city defined by bombings and male interference. While organizing drawing lessons for women and girls, comforting her young niece, and sharing her story with the documentary crew, Amany's outlook on the future gradually erodes.
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.