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"Subservience," directed by S.K. Dale, is a commendable entry in the Sci-Fi thriller genre. Megan Fox's portrayal of an android is fabulous, bringing a captivating blend of stoicism and subtle emotion to her role. While the plot may come across as somewhat predictable and the story lacks a bit of depth, the film still manages to deliver an engaging experience. The emotional disconnect between the other actors and the audience is palpable, making it difficult to fully invest in their characters. Interestingly, this detachment actually works in favor of the narrative, leading viewers to root for the android. Although the movie doesn't break new ground, it's a solid watch for fans of futuristic themes and the ever-evolving concept of artificial intelligence.
It's a little less than what I hoped for. In the TV show (HUMANS) the lead female android was way better and more of an A.I than Meagan. Also I didn't feel the connection between Alice and Nick cos Alice was the one who came in too strong for Nick. Making her like a desperate side chick or "obsession"
The movie has an interesting premise, situated in a near-term future where AI androids got so competent that they are pervasive and displaced pretty much all human work force. While the world-building is interesting and primarily focus on the lives in a family, where the husband inadvertently caused his domestic robot to unbalance her goals towards making him "calmer" and "happier" over everything else, it also brings deeper elements for a reflexion on the effects in the work force and society once robots start replacing humans in work activities. However, the premise for a blockbuster could not compensate a weak screenplay, at first excessively slow, and in the later parts of the movie unrealistic. Also, excepted a few actors doing a good job as bots (including Megan Fox), the acting from the human characters is overall awful, especially Michele Morrone's. The bad acting and slow plot makes it hard to immerse in the movie and it feels longer than it really is.
Well, that's 1 hour and 45 minutes I'll never get back. Right of the bat, this was an obvious rippoff from the TV show "HUMANS" with Gemma Chan. But where "HUMANS" was somewhat plausible, this was totally not. The overall acting was mediocre at best. Behaviors and reactions are too often cringy, unconvincing or eyerolling predictable. It's rare for me to ffwd scenes during a movie while watching, but I did here and there. I was hopeful that the mother Maggie would be killed off at some point (I've hated madeline zima ever since Californication), but alas. Alice (megan fox) was nice to look at. But totally unconvincing as an android. She'd make an excellent emotionless psychopath, though. The movie pulls out all the classic old tropes, which not only made it all very predictable, but gave me multiple feelings that I've seen that scene somewhere else before. Thumbs down for the movie in general, but thumbs up for Megan Fox trying to be everyone's favorite fantasy sexbot.
In this prequel to Transmorphers - a sci-fi thriller that borrows heavily from the plot of Transformers - planet Earth is in peril thanks to a rogue army of alien robots, and it's up to a small group of humans to mount a crippling counterattack. Can Sheriff Hadley Ryan (Bruce Boxleitner), a doctor (Jennifer Rubin) and an ex-Marine (Shane Van Dyke) find the automatons' Achilles' heel before they conquer the planet?
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Four stories including: "My Robot Baby," in which a couple must care for a robot baby before adopting a human child; "The Robot Fixer," in which a mother tries to connect with her dying son; "Machine Love," in which an office worker android learns that he, too, needs love; and "Clay," in which an old sculptor must choose between natural death and digital immortality.
Set in the near future after a significant collapse of civilization, Dome House Six is a sci-fi thriller about trust, mischief, lust and control, that follows four seemingly unconnected people as they try to survive in a post apocalyptic landscape.
A mother recovering from a brutal accident moves into a prototype smart home. As she begins to get settled, she finds out that the house's groundbreaking AI technology is quickly developing real human emotions.
The A.I. system in a home informs a woman that her husband has a certain condition. And now she has to make a very tough choice.
Carol lives alone with her friendly AI helper, Vicki, who's sophisticated data-gathering anticipates her every need and desire. But who is in control?
Naomi Armitage and Ross Sylibus have changed their names and live with their daughter Yoko as a happy and normal family on Mars — until an android riot breaks out at an anti-matter plant on Earth.
Lorenzo works for an omnipresent corporation in a future of dystopian bureaucracy. His employee insurance denies him the medication that would help prevent him from losing his senses. Lorenzo quickly begins to lose contact with the world and in esperation decides to connect to the computer, making his pain cease, but becoming an eternal digital slave.
Sam Flynn, the tech-savvy and daring son of Kevin Flynn, investigates his father's disappearance and is pulled into The Grid. With the help of a mysterious program named Quorra, Sam quests to stop evil dictator Clu from crossing into the real world.
Seasoned deep-sea divers battle the raging elements to rescue their crewmate trapped hundreds of feet below the ocean's surface.